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Archive for the ‘Art’ Category

I have always been fascinated by the color and texture of the centers of poppies and was delighted to see poppies in several different colors during a recent visit to Green Spring Gardens in Alexandria, Virginia, just a few miles from where I live. The tissue-paper texture of the petals quite unusual, reminding me of my childhood craft projects with tissue paper and crepe paper—we may even have created our own poppies.

Even when their petals have faded and fallen away, poppies continue to fascinate me (and birds love their seeds) and I really like the look of their seed pods, like the one in the final photo.

poppy

poppy

poppy

poppy

© Michael Q. Powell. All rights reserved.

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The rain has stopped for now, but some raindrops remain, sparkling like tiny jewels this morning on the bearded irises in the garden of my neighbor and fellow photographer Cindy Dyer. I tried to get creative with the framing of the first shot, with a blurred iris in the background of an unopened bud.

In the second shot, I was so close to the bearded iris that you almost can’t tell that the primary subject is a flower—I love my macro lenses. There third and fourth shows show a couple more varieties of irises that are currently in bloom in Cindy’s garden, with lots more still to come.

Iris

Iris

Iris

Iris

© Michael Q. Powell. All rights reserved.

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What is the most unusual-looking flower that you have ever seen? For me, it would probably be the Japanese Jack-in-the-Pulpit (Arisaema sikokianum). There is something so alien and exotic about this plant that it stopped me in my tracks when I first spotted it last year in early May at Meadowlark Botanical Gardens in Vienna, Virginia. Check out my posting from last year if you would like more details of my first encounter with this plant species.

On Thursday I made a trip the botanical gardens with my friend and photography mentor Cindy Dyer. She was interested in photographing the tulips, peonies, and other flowers, but I made a beeline for the area where I had seen the Japanese Jack-in-the-Pulpit last year. Initially I could not find any, but I asked several of the folks working in the garden beds and one of the walked me to an area where there were two plants that were well past their prime.

As we were talking, another gardener overheard us and noted that she had spotted one further up the trail earlier in the week. I walked really slowly and looked carefully and eventually found the correct spot—there was one wilted Japanese Jack-in-the-Pulpit and one in bloom. The two photos below give you a sense of the beauty of this unusual plant. As you can probably tell, I varied the settings on my camera to give a different feel to each of the images. Although the first image provides a clearer view of the entire plant, I really like the moody feel of the second shot.

The Japanese Jack-in-the-Pulpit is closely related to the Jack-in-the-pulpit (Arisaema triphyllum), which is supposed to be common to the eastern United States, though I have never seen one. The American species looks fairly similar to the Japanese variant, but the spadix, the part that is the “Jack” in the name, is darker in color and the pitcher more closely matches the leaves. If you want to see a beautiful photo of a Jack-in-the-Pulpit growing wild in New England, check out this blog posting by fellow photographer Steve Gingold.

Japanese Jack-in-the-Pulpit

Japanese Jack-in-the-Pulpit

© Michael Q. Powell. All rights reserved.

 

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Yesterday I stopped by the garden of my neighbor and fellow photographer Cindy Dyer. Her early-season tulips were well beyond their prime, but more tulips are getting ready to bloom. I was a little surprised to see that some of her irises are already starting to bloom too. I love to photograph flowers when they are at this stage of growth—they are already beautiful and give hints of the additional beauty that is to come.

Happy Easter to all of you who are celebrating this holy day. Christ is risen!

tulip

tulip

iris

© Michael Q. Powell. All rights reserved.

 

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Raindrops were glistening in the sunlight after an April shower on Saturday, enhancing the beauty of these red tulips in the garden of my dear friend and photography mentor Cindy Dyer.

One of my favorite movies when I was growing up was “The Sound of Music” and I can still remember the words of many of the songs from the movie. In one delightful scene, Julie Andrews tells the children that when she is unhappy, she tries to think of nice things and begins a song with the words, “raindrops on roses and whiskers on kittens…these are a few of my favorite things.”

Raindrops seem almost magical, whether they are on roses, on tulips, or on any other vegetation. If you are not familiar with the song “My Favorite Things,” here is a link to a YouTube clip of that wonderful scene from “The Sound of Music.”

tulip

tulip

tulip

© Michael Q. Powell. All rights reserved.

 

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I love the way that the coloration of this Great Blue Heron (Ardea herodias) is an almost perfect match for the environment where I spotted it last week at Occoquan Bay National Wildlife Refuge.

Great Blue Herons are one of my most frequently photographed  subjects, especially during the winter months, and I am always looking for unique ways to capture images of them. From a technical perspective, this image is far from perfect, but its aesthetic appeal really pleases my eye—in addition to the colors, I really like the variety of textures in the photo..

Have a wonderful weekend.

Great Blue Heron

© Michael Q. Powell. All rights reserved.

 

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The Belted Kingfisher (Megaceryle alcyon) is probably the most skittish bird that I try to photograph. No matter how hard I try to sneak up on one, it always seems to fly away before I can get close. Quite often I hear the kingfisher’s distinctive rattling call and never even see the bird.

The first image is a long-distance shot of one from last week at Occoquan Bay National Wildlife Refuge. The kingfisher is relatively small in the frame, but I love the pattern of the branches in the shot.

The second image shows a female Belted Kingfisher perched on a metal post sticking out of the water on Monday at the same wildlife refuge. Generally I prefer natural vice man-made perches, but in this case I like the little “forest” of metal posts and their beautiful reflections in the water. How do I know that it is a female? Only female Belted Kingfishers have the chestnut-colored stripe on their breasts, one of the few cases in bird world in which the female is more colorful than the male.

Belted Kingfisher

Belted Kingfisher

© Michael Q. Powell. All rights reserved.

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As I approached a patch of thistle in bloom on Tuesday, I was looking carefully to see if there were any butterflies feeding on the flowers. Suddenly I noticed a flash of bright red and realized immediately that it was a Hummingbird Clearwing Moth (Hemaris thysbe).

Hummingbird Clearwing moths, which actually do resemble hummingbirds as they dart among the flowers, hovering periodically to such nectar, are not exactly rare where I live, but I tend to see them only a few times a year. Fortunately I reacted quickly enough to capture this image, because the moth flew out of sight after it had finished feeding on this flower.

For shots like this, the wing position is really important and I was thrilled that I was able to capture the wings fully extended, which highlights the transparent portions of the wing responsible the common name of this species. The details of the moth and the thistle are pretty sharp and the background is blurred enough that it is not a distraction—I like this shot a lot.

Hummingbird Clearwing Moth

© Michael Q. Powell. All rights reserved.

 

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The Storms have crossed the Atlantic. I was delighted today when the post office delivered my copy of the inaugural issue of The Storms, a journal of poetry, prose, and visual art that includes two of my photographs. The Storms is a printed journal, which is increasing rare these days, that was made in Ireland with international contributors, with support from The Arts Council Ireland and the Fingal Arts/Fingal County Council. Check out this link for more information on The Storms.

How in the world did I get involved in this effort? Believe it or not, WordPress played a role. Several years ago I became friends with Liz Cowburn, the New Zealand-based author of the blog Exploring Colour. Through her blog, I became acquainted with the work of Irish poet Damien B. Donnelly and his blog DeuxiemePeauPoetry. At that time Damien was living and working in Paris as a pattern maker and writing poetry part-time.

During a trip to Paris in November 2019, I was thrilled to meet Damien in person. We had a wonderful time together sharing some of our personal experiences. Check out my December 2019 posting Paris Portraits: Damien for more of the back story and details of our encounter. At that time, Damien was preparing to return to Ireland to pursue his dream of becoming a poet full-time, with a goal of finding and renovating a property in Ireland that will serve as a writers’ retreat and bed-and-breakfast.

Then the pandemic happened. Damien quickly pivoted and found new avenues for his creativity. He started a poetry podcast Eat the Storms—the name is drawn from the title of his first poetry pamphlet—that is already in its fifth season and has featured hundreds of poets from all around the world. I have seen him read his poetry numerous times during Zoom and it has been a delight each and every time. He has also managed to find time to create TikTok and YouTube videos of some of his poems—be sure to check out his YouTube channel for some delightful content. In just a few days, he will launch his first full collection called Enough, that features poems and photography from his time in Paris.

One of his projects became The Storms, which he edited and designed, with the able assistance of his wonderful sub-editor Gaynor Kane. I have been a spectator cheering from the sidelines for numerous poetry readings, but when the submission window was opened for this journal I noticed that it included “visual art.” Did I dare submit some of my photos for consideration? The rules said that I could submit only three images and that the file names could not include any personal identification—all submissions would be read blind.

I think that I am a pretty good photographer, but I guess I am a little insecure about entering contests or submitting my work for consideration. Am I good enough? Some of my poet friends tell me that you get used to having your work rejected, but I wasn’t so sure I was thick-skinned enough. I decided to be bold, though I set my expectations low, and selected three images to submit. Amazingly two of them were selected.

The only guidance we were given was that the theme of the issue was going to be storms and that we could interpret it any way that we wanted. The two images that were selected for use both were taken during my November 2019 trip to Paris. The first one shows a bicycle on the wet cobblestones of a Parisian street, with the light from a streetlight causing a distorted shadow. The image appeared for the first time in one of my blog posting entitled Bicycle in Paris. In The Storm, the image was used on the title page of a section entitled “Showers of Survival”—the journal was thematically divided into nine sections,

The second image that was used showed a rainbow in between two buildings in Paris. It first appeared in a November 2019 blog posting entitled Rainbow in Paris. In the journal, the rainbow photo appears on the title page of a section entitled “Beyond the Rainbow,” the final section of the the journal.

It is hard to describe how cool it feels to see my photos in print and I just wanted to share some of that joy with you all. So many of you have encouraged and supported me on my journey in photography during the last ten years. Thanks.

The Storms

The Storms

The Storms

© Michael Q. Powell. All rights reserved.

 

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Do you shoot selfies? Generally I am not a fan of selfies, at least not in the way that some people use (and overuse) them on social media—I am not that much in love with my own face. Still, I am not totally against them. I remember times in the past, when I was shooting with a film camera, when I would ask someone to take a picture of me in front of some well-known site or monument.

When I do want to insert myself into the frame, I try to do so in a creative way. When I was recently in the badlands of North Dakota, for example, I decided I wanted to try to create a selfie that conveyed a “bad boy” vibe. I really am a nice guy, so I wasn’t sure that I could pull off the look and was pleasantly surprised with the result. Some of my friends say the shot makes me look like I had just stepped off of a Harley.

I love to take photos just after sunrise and just before sunset when the sun is so low that it creates elongated shadows of me that are perhaps my favorite type of selfie, a selfie without a face. They always remind me of the famous sculptures of Alberto Giacometti, like Walking Man. I took the second photo with my iPhone in the early morning of 28 July as I stared out at the vast expanse of North Dakota badlands at Theodore Roosevelt National Park.

The final photo is an unusual kind of selfie, a selfie without a face or a body. My orange KIA Soul is a representation of me, a kind of symbolic representation of who I am. I sometimes describe my car as practical, economical, and a little quirky, descriptors that apply equally well to me.

bad boy in badlands

elongated shadow

KIA Soul

© Michael Q. Powell. All rights reserved.

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This past Thursday I was privileged to attend an exhibition/demonstration “From Conflict to Creativity” that featured amazing works of art by military veterans. The event was held in Washington D.C. in the Thomas Jefferson Building of the Library of Congress. I managed to capture a few images of the buildings’s Great Hall with my iPhone as I passed through it on the way to the event room.

There was so much color and pattern and detail everywhere in the Great Hall that I felt almost overwhelmed. One of my favorite elements was the skylights in the ceiling that I have shown in the second image—I love stained glass windows. The final photo shows a painting called Melpomene by Edward Emerson Simmons.

“When its doors opened to the public in 1897, the Library of Congress represented an unparalleled national achievement, the “largest, costliest, and safest” library in the world. Its elaborately decorated interior, embellished by works of art from nearly fifty American painters and sculptors, linked the United States to classical traditions of learning and simultaneously flexed American cultural and technological muscle.” If you want additional information on the art and architecture of this Great Hall, check out this link on the Library of Congress website, the source of the quotation that I used to begin this paragraph.

Library of Congress

Library of Congress

Library of Congress

© Michael Q. Powell. All rights reserved.

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Most of my photos exist only in digital form. I have had some of them printed, but there are only so many photos that I can hang on the walls of my townhouse. I have had some photos printed on mugs and other items, but the images don’t have quite the same impact when they are printed so small. How else can I display my photos?

My niece, Kristina Hughes, and her boyfriend, Brian Vermeire, came up with a creative way of integrating their love of art and their love of cats. Earlier this year they launched their website frameyourfeline.com that offers customized ways for your cat to become a living work of art. I encourage you to check out their website for further information, but in a nutshell Kristina and Brian have created three-dimensional boxes that hang on the wall with interchangeable art panels providing a backdrop for the cats. The boxes are carpeted and provide the kind of place where cats love to lounge and pose.

Customers can choose from multiple options for the frame style at the opening of the box and from a wide selection of art panels that include paintings and photographs, including more than forty of my images. Kristina and Brian are adding new art panels all of the time as more creative people join in the project. The photos below give you an idea of how some of my photos would look in a Frame Your Feline environment.

There is a special linited-time sale going on for Memorial Day weekend, so if you are at all interested, check out the website. Even if you don’t have a cat (and I don’t), it’s fun and a little addictive to watch cats wander in and out of these frames. You can also learn more about the background of Frame Your Feline by listening to an interview with Kristina and Brian on the Nine Lives with Dr. Katz podcast. Kristina and Brian are also comedians, so the interview is a really fun listen.

Frame Your Feline

Frame Your Feline

Frame Your Feline

© Michael Q. Powell. All rights reserved.

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Happy Easter. My childhood memories of Easter are full of flowers, with the interiors of churches filled with lilies and tulips. Today, I decided to post images of some of the orchids that I photographed during a recent visit to Lewis Ginter Botanical Garden. This garden has a wonderful glass-domed conservatory that houses all kinds of exotic plants—it was a fun challenge to try to capture a sense of the beauty of these flowers in such a confined, warm, and humid space.

Not everyone, of course, is celebrating Easter and for Orthodox Christians Easter will come next Sunday. Still, I think that today is a good moment for us all to pause and reflect on what is important to us. My simple prayer is that all of our lives will be filled with peace, love, and with renewed hope, irrespective of whether you are observing this holy day today.

Alleluia! Christ is Risen! The Lord is risen indeed! Alleluia!

Orchid

orchid

orchid

© Michael Q. Powell. All rights reserved.

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My thoughts have already turned to spring, with visions of colorful flowers and dragonflies dancing in my head. However, it turns out that winter was not quite done and last weekend we had a couple of inches of snow, a final hurrah for the season of winter.

Here are a couple of shots of my “winter dragonfly,” a metal sprinkler in my front yard that I featured in a previous post that showed the intricate detail of the dragonfly. I am also including a shot of some of the green shoots in the garden of my neighbor and fellow photographer Cindy Dyer. I think some of these might be tulips, but must confess that I am pretty clueless when it comes to plants.

Many of you know that I am somewhat obsessed with dragonflies. In 2020 I saw my first dragonflies of spring on the 3rd of April, the earliest I have ever seen dragonflies—see my 6 April 2020 posting First dragonflies of the season. I will probably go out and search for them in earnest during the final week of March. There are a couple of early emerging local species that I will be searching for along with migrant species like the Common Green Darner that might be passing through our area.


dragonfly

dragonfly

plant

© Michael Q. Powell. All rights reserved.

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During the early days of the pandemic, the bathrooms at Occoquan Bay National Wildlife Refuge were closed. I think that there was a fear of possible virus transmission and possibly because people were stealing the toilet paper rolls because of the widespread shortage at the time. Earlier this year the bathrooms were reopened with a warning sign that stated that you should use them at your own risk, because they were being cleaned only once a week—I wonder if I should post the same signs at my house.

In the last few months they rebuilt the vault toilets of the facility near the central parking area. I was delighted when I arrived one day recently to see a group of teenagers painting a brightly-colored mural on the bathroom facility. I love the quirky, illustrative style of the wild creatures and the building puts a big smile on my face every time that I drive past it.

For those of you following my blog regularly, I need to warn you that my posting schedule will be irregular this week and next week. I am currently visiting family outside of Seattle, Washington and may or may not have the change to do a lot of wildlife photography. So far, the only wildlife I have experiencing are their three dogs in the house and the chickens and duck in their backyard.

For those of you celebrating Thanksgiving Day tomorrow, I wish you all of the best. Even if you are not celebrating this American holiday, it is a good thing to pause and give thanks for all of your blessings in your life, no matter how large or how small.

Life is so precious and so fleeting—we should never take it for granted. Beauty is everywhere and even the functional can be made beautiful.

Occoquan Bay National Wildlife Refuge

© Michael Q. Powell. All rights reserved.

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Autumn leaves floating on the dark waters of a marsh—a static moment in a season of change, a time for reflection.

Sometimes I am content to capture a feeling in my photos rather than focusing on a well-defined subject.

autumn leaves

autumn leaves

 

© Michael Q. Powell. All rights reserved.

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I am always in awe of the skill and artistry of spiders that are capable of constructing elaborate webs using secretions of their own bodies. I spotted this beautiful little web on Friday as I was wandering about at Occoquan Bay National Wildlife Refuge.

This photo is what I like to consider a natural abstract image. It is so easy for me to immerse myself in the intricate patterns of the web in an almost hypnotic way.

I am not sure what kind of spider made this web, though I am pretty sure the little spider in the center was responsible for it. Kudos to the artist!

spider art

© Michael Q. Powell. All rights reserved.

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The dragonfly was high in the tree and almost completely silhouetted when I spotted it on Friday at Occoquan Bay National Wildlife Refuge. Conditions did not seem optimal for capturing an image, but as I looked through the viewfinder of my camera, my eyes were attracted to the curlicue shape of the branch on which the dragonfly was perched. The branch, I realized, was actually the main subject of the image that I wanted to create.

I was far enough away that I could move about freely without fear of spooking the dragonfly, so I tried a number of different angles of view and shooting positions. As I later looked through the images on my computer, the placement of the sky and the clouds in the frame made me decide to feature this particular shot.

As for the dragonfly, I believe that it is a female Great Blue Skimmer (Libellula vibrans). Despite the shadowy silhouette created by shooting into the sun, there are just enough details for me for me to identify the dragonfly with a reasonable degree of certainty, though, as I noted earlier, my primary goal was to draw the viewer’s attention to the spiral shape of the curlicue branch.

Great Blue Skimmer

© Michael Q. Powell. All rights reserved.

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Water lilies always bring to mind the paintings of Claude Monet, my favorite artist. Monet produced a series some 250 paintings of water lilies (Nymphéas in French) that were the main focus of his artistic production over the last thirty years of his life. One of the museums that I most love visiting is the Musée de l’Orangerie in Paris, because it houses eight massive water lily murals by Monet in two specially-built oval rooms. It is an incredible, meditative experience to just sit in one of those rooms, surrounded by those amazing paintings. (For more details on the water lily murals, including a virtual visit, click here.)

Conditions were considerably more chaotic than calm on 10 July when I visited  Kenilworth Aquatic Gardens in Washington D.C. with several photographer friends. The weather was comparatively cool and comfortable, a welcome respite from the heat and humidity of recent days, and bustling throngs of people had gathered at the park to view the lotuses and water lilies. Fortunately the crowds concentrated in clusters at a few spots and I was able to explore many of the other lily ponds in peace.

One of the things that I love most about water lilies is the way that they seem to glow from within with a soft, warm light. It is always a challenge to figure out how to capture the beauty of the water lilies. Normally I concentrate on individual flowers, but for the first photo I decided to capture a wider view with two flowers in the midst of a carpet of lily pads.

As you can see, lily pads were inevitably a component in all of my compositions. Sometimes the lily pads make me smile. Why? Maybe it is just me, but when I look at the final photo, I can’t help but think of Pac-Man, a beloved video game of my younger days. I never really got into the complicated video game systems as technology advanced, but really enjoyed the relative simplicity of Pong and Pac-Man.

 

water lilies

water lily

water lily

water lily

© Michael Q. Powell. All rights reserved.

 

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On Saturday I traveled with a few fellow photographers to Kenilworth Park and Aquatic Gardens, a National Park Service site in Washington D.C. whose main attractions are the the numerous water lilies and lotuses in a series of interlocked cultivated ponds. It was tough for me to figure out how to tackle photographic subjects like these and I must confess that I spent a fair amount of time chasing after the numerous dragonflies that were present at the park.

Here are a few shots of some of the lotuses that I encountered that day. The first image is a peek through the petals at the distinctive seed pod in the center of one lotus. The second shot shows a lotus in full bloom. Only about half of the lotus plants that I encountered were flowering and many of them were beyond the reach of the lens that I was using or were in harsh, direct sunlight, so I was happy to capture this one so well. The final photo shows a lotus bud with petals that are just beginning to open.

I think it is good to push myself sometimes to photograph different subjects and to step outside of my comfort zone. It forces me to think creatively about what I am doing and how I am approaching the subject. Flexibility is a key ingredient in all of this, which seemed appropriate as I was trying to get into the lotus positions.

 

lotus

lotus

lotus

© Michael Q. Powell. All rights reserved.

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My dear friend and neighbor Cindy Dyer has some crazy-looking colorful flowers in her garden, like this one, which I think is some kind of double Tiger Lily. The not-yet-opened petals in the center of the flower at this stage of development remind me of the tentacles of an octopus. I love the way the fence in the background turned out, with all of the colorful bokeh balls in parallel columns.

tiger lily

© Michael Q. Powell. All rights reserved.

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I was feeling a little “artsy” on Saturday morning when I composed this close-up image of one of day lilies now growing in the garden of my dear friend and neighbor Cindy Dyer. Over the last nine years of so Cindy has served as my photographic mentor and muse.  I remember how liberated I felt when she first told me it was ok to photograph parts of a flower and not just the whole thing—it opened my eyes to all kinds of new creative possibilities that went way beyond merely documenting “reality.”

Beauty is everywhere!

day lily

© Michael Q. Powell. All rights reserved.

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I am always attracted to the beautiful forms of a fiddlehead as it gradually unfurls from a tightly coiled spiral into a full-fledged fern frond. I have no idea if the process takes days or weeks, but but it was amazing to see the various stages of development of the fiddleheads that I have spotted during recent forays into a forest in Prince William County, Virginia.

The first two photos make it pretty obvious that the fiddlehead resembles the curled ornamentation (technically called a “scroll”) on the end of a stringed instrument, such as a violin that are traditionally carved in the shape of a volute (a rolled-up spiral). As I was poking about on the internet, I also learned that the fiddlehead stage of a fern is sometimes known as a crozier, the term used for the hooked staff carried by a bishop as a symbol of pastoral office.

 

fiddlehead

fiddlehead

fiddlehead

© Michael Q. Powell. All rights reserved.

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I love simple beauty, like that of a single tulip flower that opens in the sunlight to reveal its colorful center, and closes at night as if to protect its precious treasure. This red tulip was the first full-sized tulip to bloom in the garden of my friend and photography mentor Cindy Dyer. I spotted it early on Easter morning when it was closed up, as shown in the second image. I was pleasantly surprised that afternoon to see that the tulip was open and I captured the first image.

I love this time of the year, when so much color is beginning to appear. Take the time this season to smell the roses—tulips do not seem to be particularly fragrant.

tulip

tulip

© Michael Q. Powell. All rights reserved.

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I searched a stream in vain for dragonflies last weekend, but became fascinated by the abstract patterns of the water moving through areas festooned with moss, algae, and grasses. Later in the year I am almost certain to find Gray Petaltail dragonflies near this stream and the surrounding seeps. For the moment I was content to let my mind run wild, feeling a bit like I was underwater as I observed the abstract shapes created by the moving water.

stream

stream

© Michael Q. Powell. All rights reserved.

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During growing season I keep a close eye on the garden of my friend and neighbor Cindy Dyer, since I have no gardening skills at all. On Tuesday I took a few shots of one of the cute little red tulips that opened just a few days ago, the first tulips of this spring that I have spotted.

Unlike most tulips, which tend to be spherical in shape, the blooms of these tulips are slender and angular. As I look at the second photo, for example, I see a series of triangles.

Cindy has a new raised bed in the back yard of her townhouse that looks like it has more tulips, judging from the leaves that have popped up from the soil. It will be a surprise for us all when they emerge, because neither she nor her husband can recall what specific varieties they planted last fall.

tulip

tulip

© Michael Q. Powell. All rights reserved.

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Sometimes the colors in a photo draw me in as much as the actual subject, as is the case with this image of a Northern Mockingbird (Mimus polyglottos) that I spotted last Saturday at Occoquan Regional Park.

The soft shades of brown and gray harmoniously create a mood that I really like. Even the wispy, dried grasses in the foreground, which might have bothered me under most circumstances, add a nice texture and organic feel to this in situ portrait.

Northern Mockingbird

© Michael Q. Powell. All rights reserved.

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What does a wildlife photographer photograph when there is no wildlife to be seen? That was my dilemma, yesterday when we finally had some sunshine after a series of dreary days. I wanted to be out in nature with my camera, but I also wanted to avoid people as much as possible. Weekends are particularly problematic as crowds of people flock to popular areas, so I deliberately chose a remote trail at Huntley Meadows Park that took me past a partially-frozen pond.

There were no ducks or other birds at the pond. Instead I encountered a series of wonderfully abstract patterns in the thin ice atop the pond. A long telephoto zoom lens might not have been my first choice for these kinds of shots, but it worked remarkably well in capturing some of these patterns.

Initially my favorite image was the star-like pattern in the first photo below. Increasingly, though, I am drawn to the final photo that brings to mind a satellite or drone photo of a frozen mountain range at the edge of a sea.

ice

ice

ice

© Michael Q. Powell. All rights reserved.

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The skies over the water were full of clouds one afternoon last week as I visited Occoquan Bay National Wildlife Refuge. I was utterly fascinated by the horizontal layers of cloud that seemed to be stacked up, reminding me of a stone wall of stacked stones.

Many of you know that I rarely take landscape photos, but sometimes I feel compelled to do so. To be fair, though, I should probably characterize this image as a “cloudscape,” rather than as a “landscape,” since the land plays only a minor role in it.

clouds

© Michael Q. Powell. All rights reserved.

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Often I am mesmerized by light and shadows and reflections. It doesn’t take much to capture and hold my attention, like these pieces of wood that I spotted in the waters off of Occoquan Bay National Wildlife Refuge.

reflection

© Michael Q. Powell. All rights reserved.

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I have now successfully completed the World Watercolor Month challenge of doing some kind of watercolor painting each day of July. I have had a tremendous amount of fun and improved my skills and confidence. Thank you all for your support and encouragement for my painting efforts throughout this month.

If you want to see the first four installments of my painting efforts this month, check out my previous postings ‘More fun with watercolor‘, ‘World Watercolor Month 2020—part 2 ,’ ‘World Watercolor Month 2020—part 3,’ and Word Watercolor Month—part 4. This final installment highlights my painting efforts over the past nine days in reverse chronological order.

Day 31 and the prompt was “do-over,” so I had another go at painting a scene that I painted last November while in Paris of a lady with a red umbrella crossing a pedestrian bridge over the Seine that I had photographed. Here is a link to the postingPlaying with watercolor in Paris‘ that shows the November version of the painting, and a link to the post ‘A few more umbrellas in Paris‘ that shows the photo on which the paintings were based.

Day 30 and the prompt was “pose.” I decided to be my own model and painted a version of the photo that has been my profile image for a while. Thanks to my friend, Cindy Dyer, for taking such a good photo of me.

Day 29 and the prompt was “yesterday.” Immediately thinking of the Beatle song by that name, I was flooded with memories of growing up in the 1960’s, so I did a colorful little painting reminiscent of a tie-dyed t-shirt as a kind of homage to that period in my life.

Day 28 and the prompt was “complementary.” Purple and yellow are complementary colors, so I decided to paint a field of imaginary wildflowers in those colors. I made no attempt at realism or nuance in the painting—I just wanted to play with the paint.

Day 27 and the prompt was “shine,” so I painted a little landscape with the moon shining down on a grove of shadowy trees.

Day 26 and the prompt was “favorite song.”  I remembered that one of my parents’ favorite hymns was “His Eye is on the Sparrow,” so I painted a little sparrow. The final line of the wonderful hymn is, “His eye is on the sparrow and I know He watches me.”

Day 25 and the prompt was “sharp.”  I decided to paint a version of a photo I had previously taken of a dragonfly that had chosen a precarious perch on a thorny vine.

Day 24 and the prompt was “abundance,” so I did a tiny painting (3×3 in/76 x 76 mm) of a field full of bright red poppies following a YouTube tutorial by Ellen Crimi-Trent (https://www.youtube.com/watch?v=IUDC7Aojxm4&t=83s). It’s fun to paint something so small, where details are only suggested.

Day 23 and the prompt was “alone,” so I painted a solitary bird perched amidst some blossoms. It kind of looks like a cross between a chickadee and an American Robin. I later learned that the bird looks to be a Varied Tit, a bird found in the Far East. I had loosely followed a YouTube tutorial that did not identify the bird  (https://www.youtube.com/watch?v=BtlLzgfnQxw&t=1222s).

I plan to continue with my watercolor painting, having seen that frequent practice really helps, but it will probably be a while before I post any paintings here on the blog. Thanks again for your support and indulgence as I have veered off my normal creative path.

We should be back to my regularly scheduled nature photography, though you have probably noticed that the photography continued without any discernible pause in July.

Paris Umbrella

self portrait

tie dye

wildflowers

shine

sparrow

dragonfly

poppy field

Variable Tit

© Michael Q. Powell. All rights reserved.

 

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