It is now the season for irises. All kinds of irises are starting to pop open in the garden of my dear friend and photography mentor Cindy Dyer. We are neighbors in a townhouse community in Northern Virginia, which means there is relatively little space for gardening, but Cindy manages to pack an amazing amount of flower power into her limited area. Fortunately, she and her husband, who is also a Michael, live in an end-unit, so they have a bit more space than the interior units.
Cindy likes to select flowers to grow that she knows will be photogenic and love to pore over the flower catalogues on line. Our challenge is to figure out how to capture the beauty of these carefully selected flowers in the crowed garden. One of Cindy’s techniques is to use a small artificial background to help to isolate the flower. Often she uses a white foam core board to which she has attached a piece of black velvet-like material. She can then create studio-like images with a black or white background, depending on the flower.
This technique requires two people, because it is almost impossible to hold the background in place and frame a shot at the same time. I took these iris photos yesterday while Cindy held the background in place for me and then we reversed positions. In some of the images it looks like I was using some kind of studio lighting, but it was all natural night on a somewhat cloudy day that diffused the light nicely.
You don’t really need any special equipment to create this effect—you could use almost anything for a background. The day before, our improvised background was a collapsible black storage cube from IKEA that Cindy had just given me. The final photo, taken by Cindy with her iPhone, shows me holding that black cube and gives you a sense of the garden environment and how the technique is used.
© Michael Q. Powell. All rights reserved.
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Mike Powell 