When photographing a subject, how important are the surroundings to you? Most of you know that I like close-up shots and often I zoom in or crop to the point where you don’t have a good sense of the environment.
This past weekend, I went for a walk along the Potomac River (on the Virginia side) and observed a lot of damselflies. I had my Tamron 150-600mm lens on my camera and soon realized that I had a problem—even at the minimum focusing distance (approximately 9 feet/2.7 meters), there was no way that I could fill the frame with a damselfly.
Still, I was drawn to the beauty of the damselflies, which I believe are Blue-tipped Dancers (Argia tibialis), and I took quite a few shots of them.
As I reviewed the images on my computer, I realized how much I liked the organic feel of the natural surroundings. In the first shot, there are lots of vines on the surface of the rock on which the damselfly is perched that add texture and visual interest. In the second shot, I love the twist in the vine and the single leaf hanging down.
All in all, the surroundings on these two shots were so interesting that I didn’t feel any desire to crop the images more severely, and the environment has become just as much the subject as the damselfly. It’s probably worth remembering this the next time when I am tempted to move in really close to a subject—I should at least attempt to get some environmental shots too.
UPDATE: It looks like my initial identification was off—there are lots of blue damselflies and this one more probably is a Big Bluet (Enallagma durum). Thanks to my local odonata expert, Walter Sanford, for the assist.


© Michael Q. Powell. All rights reserved.
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