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Posts Tagged ‘Seine River’

I am back from Paris now, but very much still under its influence. My final night in Paris, I walked down to the Seine River just before midnight. A light drizzle was falling, but I did not care. If anything, the rain made everything more beautiful, creating additional reflections on the cobblestone streets. As I crossed a bridge over the river,  I could see the Eiffel Tower all lit up, its searchlight piercing in and out of the clouds. It was magical!

I was having a great time trying to capture the scene when suddenly the lights on the tower went out. It was as if the Eiffel Tower had suddenly disappeared. I knew that the tower’s lights were not on all night, but I did not expected them to be extinguished right at midnight. Reality sometime has a way of crashing in on moments of fantasy.

One of my readers, Michael Scandling, challenged me to be out walking the streets at midnight to see if I might end up in the 1920’s having a drink with Hemingway. Obviously he too had seen the 2011 movie Midnight in Paris. The lead character played by Owen WIlson spends a lot of time wandering the streets of Paris and suddenly at midnight he repeatedly ends up in the 1920s, rubbing elbows with famous authors, actors, and artists of that era. Who wouldn’t want to have a chance to talk to icons like Cole Porter, Picasso, Gertrude Stein, and Salvador Dali? The movie additionally has wonderful footage of many places in Paris that are very familiar to me. It is one of the few DVDs that I have purchased in the past ten years.

Alas, real life does not generally play out as it does in the movies. Instead I quietly continued my walk, watching as waiters stacked up chairs in restaurants and lights began to dim as Paris prepared to sleep. For many in Paris, it was the end to just another day, but for me it was special, it was midnight on my final day in this special city, at least for this trip.

Eiffel Tower

Eiffel Tower

© Michael Q. Powell. All rights reserved.

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It is Saturday night in the Paris, the City of Light. I took this photo a short while ago as I was crossing one of the many bridges over the Seine River.

I hope that your Saturday night is as colorful and filled with light.

city of light

© Michael Q. Powell. All rights reserved.

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Before this trip, most readers could identity my “style” of photography. It is not that all my images looked the same, but many of them contained the same or similar subjects and were photographed in similar ways with the same gear. My photography here in Paris may have confused some people, because I have photographed lots of different things. There have been buildings and people, close-ups and extreme wide angle shots, and touristy and artsy images.

Today I would like to confuse things a little more with an abstract architectural shot that I took earlier this week. The image is a shot of a ramp that is part of the Passerelle Léopold Sédar Senghor, a footbridge over the Seine River that I photographed from close to the ground looking upwards using a mini tripod. If I were to ask you what the French word for “bridge” is, many of you could correctly answer “pont.” Maybe you grew up singing “Sur le pont d’Avignon” or know the word from some incidental contact with France.  So what exactly is a “passerelle?” It is the word that the French use for a footbridge, a gangplank, or a catwalk.

This bridge is pretty cool for several reasons. It crosses the Seine in a single span with no piers in the middle. Its deck is made of ipe, a kind of exotic wood from Brazil. Finally, this bridge is really new, especially by Parisian standards—it was built between 1997 and 1999.

So what is my style? “Eclectic” might be the right word now.

Passerelle Léopold Sédar Senghor

© Michael Q. Powell. All rights reserved.

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This may sound a little crazy, but I sometimes forget that I can take photographs with my brand new iPhone 11. Let me explain. For most of my working years, I worked in buildings in which cellphones were not permitted, so I never got used to having one with me all of the time. I used (and use) a landline telephone as my primary means of communication, relying on an answering machine if I was not there.

Eventually I did get a cellphone, but it was a cheap Android phone and I used TracFone as my provider. It is a pay-as-you go system and I would buy minutes annually. Being somewhat frugal, I would turn on the phone when I wanted to use it and then turn it off. The phone was for my convenience. The only exceptions I made were when I was taking photos in really remote locations or when traveling in the USA.

Recently I decided to dive deeper into the Apple ecosystem (I am writing this on a MacBook Pro) and purchased my iPhone and a T-Mobile plan that gives me unlimited talk, text, and data. More importantly, it allows me to text and use data in many foreign countries without additional charges, which has proven to be quite handy here in Paris.

So why don’t I use it to take photos? Well, first of all, I have to remember to take it with me when I go out. Twice already this trip, I left the apartment without my phone and only realized it much later. Unlike many people, I felt absolutely no sense of panic when I realized that I was separated from my phone nor any obsessive compulsion to return to the apartment and reunite with my iPhone.

More importantly, I find the position for taking photos with a smart phone to be somewhat unnatural—there is something comfortable and secure about putting my eye to a viewfinder rather than holding my arms out in front of me. One of the consequences of my cataract surgery a few years ago is that I no longer need glasses most of the time. My distance vision is now 20/20. After a lifetime of being significantly near-sighted, I am now slightly far-sighted, and it just happens that the distance at which I hold my iPhone is one at which my vision is not quite sharp without reading glasses. (My DSLRs have diopter adjustments, which lets me see thought the viewfinder perfectly, although I sometimes have issues seeing sharp details on the LCD screen on the back of the camera.)

Here are a couple of shots that I took on Sunday with my iPhone. I took the first shot from the steps of Sacre Coeur Basilica in Montmartre and the second shot later in the evening from a bridge over the Seine River. I am impressed by the details, the color, and the quality of the images.

Change is hard, but maybe it is possible to teach an old dog new tricks.

Paris panorama

Seine River at night

© Michael Q. Powell. All rights reserved.

 

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I decided to go for a late night stroll on Saturday and ended up at Place Saint-Michel in the student district not far from Notre Dame. Where else could I have been able to order a crêpe with Nutella and bananas after midnight? For the record, the crêpe was amazing.

Along the way I captured this image of the Pont Saint-Michel (Saint-Michel Bridge), one of 37 bridges over the Seine River in Paris. Those bridges come in all shapes in sizes, with several of them pedestrian only. This particular bridge links the left bank of the Seine with  Île de la Cité, one of only two remaining natural islands in Paris. The island, on which the Notre Dame de Paris cathedral is located, is historically viewed as the center of Paris.

The Pont Saint-Michel, which was built in 1857, is quite distinctive in appearance. If you look closely you will see two large N’s, each surrounded by a laurel wreath. These are symbols of Napoleon III’s Second Empire that lasted from 1852 to 1870. In the right hand side of the photo you can see the lights of the embankment on the Seine and above them the lights at street level.

 

Pont Saint-Michel
© Michael Q. Powell. All rights reserved.

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One of the coolest thing about digital photography is the way that software allows you to change the look and feel of an image. This evening I played around with some different presets in Luminar 3 and got a look to one of my recent umbrella shots that I really like—almost like an antique photograph.

I tend to be somewhat of a minimalist when processing my wildlife photographs. I shoot in RAW, so I normally will tweak things like contrast, exposure, clarity, highlights and shadows, but except for cropping that is pretty much it. Shortly before leaving for this trip I downloaded Luminar 3 as part of a special deal in a pre-sale of Luminar 4.

I haven’t really used it much, but I decided to experiment with it during this trip. I tried some different looks with a recent photo that I really like. There are dozens and dozens of presets and all are adjustable, but none of the color ones satisfied me with the images.

I really like black and white and there are a whole range of options in the Tonality group of presets, including one that covers Toning. I liked the Sepia preset a lot, but settled on one called Gold and Selenium. After I made a few adjustments I got this look.

What do you think? Do you miss the bright colors of the umbrellas and the foliage in the altered version? Although I published the original shot recently, I decided to reprise it here for ease of comparison.

I like both versions a lot, though I must admit that the “feel” and “vibe” of the separate images are quite different.

Umbrellas in Paris

Umbrellas along the Seine

© Michael Q. Powell. All rights reserved.

 

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With the recent onset of cold and rainy weather here in Paris, it is hard to remember that we had a bit of sunshine earlier in the week. As I was walking along the banks of the Seine River during one such sunny period, I grew entranced by the shadows that trees were casting onto the embankment walls. People passing by me must have wondered what I was photographing, given that I was facing a seemingly blank wall and had my back to the river.

The images show mostly skeletal tree forms, but some show evidence of hardy leaves persistently clinging to the branches, not yet ready to fall. If you examine the photos carefully, you can see some of the details and textures of the materials used to build these embankments. Just a few yards above, there is busy world, full of cars and people hurrying about, but here, life moves at a slower pace.

I love too seeing the giant iron rings intermittently embedded in the embankment walls.  These, I believe, are a legacy of past commerce along this river, places where barges would tie up, perhaps for safety or sleep, or simply to silently surveil the scenic surroundings. There are times in our lives when we could all use spots like that.

shadow tree

Shadow Trees on Seine River

© Michael Q. Powell. All rights reserved.

 

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