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Posts Tagged ‘Seine River’

I am back from Paris now, but very much still under its influence. My final night in Paris, I walked down to the Seine River just before midnight. A light drizzle was falling, but I did not care. If anything, the rain made everything more beautiful, creating additional reflections on the cobblestone streets. As I crossed a bridge over the river,  I could see the Eiffel Tower all lit up, its searchlight piercing in and out of the clouds. It was magical!

I was having a great time trying to capture the scene when suddenly the lights on the tower went out. It was as if the Eiffel Tower had suddenly disappeared. I knew that the tower’s lights were not on all night, but I did not expected them to be extinguished right at midnight. Reality sometime has a way of crashing in on moments of fantasy.

One of my readers, Michael Scandling, challenged me to be out walking the streets at midnight to see if I might end up in the 1920’s having a drink with Hemingway. Obviously he too had seen the 2011 movie Midnight in Paris. The lead character played by Owen WIlson spends a lot of time wandering the streets of Paris and suddenly at midnight he repeatedly ends up in the 1920s, rubbing elbows with famous authors, actors, and artists of that era. Who wouldn’t want to have a chance to talk to icons like Cole Porter, Picasso, Gertrude Stein, and Salvador Dali? The movie additionally has wonderful footage of many places in Paris that are very familiar to me. It is one of the few DVDs that I have purchased in the past ten years.

Alas, real life does not generally play out as it does in the movies. Instead I quietly continued my walk, watching as waiters stacked up chairs in restaurants and lights began to dim as Paris prepared to sleep. For many in Paris, it was the end to just another day, but for me it was special, it was midnight on my final day in this special city, at least for this trip.

Eiffel Tower

Eiffel Tower

© Michael Q. Powell. All rights reserved.

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It is Saturday night in the Paris, the City of Light. I took this photo a short while ago as I was crossing one of the many bridges over the Seine River.

I hope that your Saturday night is as colorful and filled with light.

city of light

© Michael Q. Powell. All rights reserved.

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Before this trip, most readers could identity my “style” of photography. It is not that all my images looked the same, but many of them contained the same or similar subjects and were photographed in similar ways with the same gear. My photography here in Paris may have confused some people, because I have photographed lots of different things. There have been buildings and people, close-ups and extreme wide angle shots, and touristy and artsy images.

Today I would like to confuse things a little more with an abstract architectural shot that I took earlier this week. The image is a shot of a ramp that is part of the Passerelle Léopold Sédar Senghor, a footbridge over the Seine River that I photographed from close to the ground looking upwards using a mini tripod. If I were to ask you what the French word for “bridge” is, many of you could correctly answer “pont.” Maybe you grew up singing “Sur le pont d’Avignon” or know the word from some incidental contact with France.  So what exactly is a “passerelle?” It is the word that the French use for a footbridge, a gangplank, or a catwalk.

This bridge is pretty cool for several reasons. It crosses the Seine in a single span with no piers in the middle. Its deck is made of ipe, a kind of exotic wood from Brazil. Finally, this bridge is really new, especially by Parisian standards—it was built between 1997 and 1999.

So what is my style? “Eclectic” might be the right word now.

Passerelle Léopold Sédar Senghor

© Michael Q. Powell. All rights reserved.

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This may sound a little crazy, but I sometimes forget that I can take photographs with my brand new iPhone 11. Let me explain. For most of my working years, I worked in buildings in which cellphones were not permitted, so I never got used to having one with me all of the time. I used (and use) a landline telephone as my primary means of communication, relying on an answering machine if I was not there.

Eventually I did get a cellphone, but it was a cheap Android phone and I used TracFone as my provider. It is a pay-as-you go system and I would buy minutes annually. Being somewhat frugal, I would turn on the phone when I wanted to use it and then turn it off. The phone was for my convenience. The only exceptions I made were when I was taking photos in really remote locations or when traveling in the USA.

Recently I decided to dive deeper into the Apple ecosystem (I am writing this on a MacBook Pro) and purchased my iPhone and a T-Mobile plan that gives me unlimited talk, text, and data. More importantly, it allows me to text and use data in many foreign countries without additional charges, which has proven to be quite handy here in Paris.

So why don’t I use it to take photos? Well, first of all, I have to remember to take it with me when I go out. Twice already this trip, I left the apartment without my phone and only realized it much later. Unlike many people, I felt absolutely no sense of panic when I realized that I was separated from my phone nor any obsessive compulsion to return to the apartment and reunite with my iPhone.

More importantly, I find the position for taking photos with a smart phone to be somewhat unnatural—there is something comfortable and secure about putting my eye to a viewfinder rather than holding my arms out in front of me. One of the consequences of my cataract surgery a few years ago is that I no longer need glasses most of the time. My distance vision is now 20/20. After a lifetime of being significantly near-sighted, I am now slightly far-sighted, and it just happens that the distance at which I hold my iPhone is one at which my vision is not quite sharp without reading glasses. (My DSLRs have diopter adjustments, which lets me see thought the viewfinder perfectly, although I sometimes have issues seeing sharp details on the LCD screen on the back of the camera.)

Here are a couple of shots that I took on Sunday with my iPhone. I took the first shot from the steps of Sacre Coeur Basilica in Montmartre and the second shot later in the evening from a bridge over the Seine River. I am impressed by the details, the color, and the quality of the images.

Change is hard, but maybe it is possible to teach an old dog new tricks.

Paris panorama

Seine River at night

© Michael Q. Powell. All rights reserved.

 

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I decided to go for a late night stroll on Saturday and ended up at Place Saint-Michel in the student district not far from Notre Dame. Where else could I have been able to order a crêpe with Nutella and bananas after midnight? For the record, the crêpe was amazing.

Along the way I captured this image of the Pont Saint-Michel (Saint-Michel Bridge), one of 37 bridges over the Seine River in Paris. Those bridges come in all shapes in sizes, with several of them pedestrian only. This particular bridge links the left bank of the Seine with  Île de la Cité, one of only two remaining natural islands in Paris. The island, on which the Notre Dame de Paris cathedral is located, is historically viewed as the center of Paris.

The Pont Saint-Michel, which was built in 1857, is quite distinctive in appearance. If you look closely you will see two large N’s, each surrounded by a laurel wreath. These are symbols of Napoleon III’s Second Empire that lasted from 1852 to 1870. In the right hand side of the photo you can see the lights of the embankment on the Seine and above them the lights at street level.

 

Pont Saint-Michel
© Michael Q. Powell. All rights reserved.

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One of the coolest thing about digital photography is the way that software allows you to change the look and feel of an image. This evening I played around with some different presets in Luminar 3 and got a look to one of my recent umbrella shots that I really like—almost like an antique photograph.

I tend to be somewhat of a minimalist when processing my wildlife photographs. I shoot in RAW, so I normally will tweak things like contrast, exposure, clarity, highlights and shadows, but except for cropping that is pretty much it. Shortly before leaving for this trip I downloaded Luminar 3 as part of a special deal in a pre-sale of Luminar 4.

I haven’t really used it much, but I decided to experiment with it during this trip. I tried some different looks with a recent photo that I really like. There are dozens and dozens of presets and all are adjustable, but none of the color ones satisfied me with the images.

I really like black and white and there are a whole range of options in the Tonality group of presets, including one that covers Toning. I liked the Sepia preset a lot, but settled on one called Gold and Selenium. After I made a few adjustments I got this look.

What do you think? Do you miss the bright colors of the umbrellas and the foliage in the altered version? Although I published the original shot recently, I decided to reprise it here for ease of comparison.

I like both versions a lot, though I must admit that the “feel” and “vibe” of the separate images are quite different.

Umbrellas in Paris

Umbrellas along the Seine

© Michael Q. Powell. All rights reserved.

 

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With the recent onset of cold and rainy weather here in Paris, it is hard to remember that we had a bit of sunshine earlier in the week. As I was walking along the banks of the Seine River during one such sunny period, I grew entranced by the shadows that trees were casting onto the embankment walls. People passing by me must have wondered what I was photographing, given that I was facing a seemingly blank wall and had my back to the river.

The images show mostly skeletal tree forms, but some show evidence of hardy leaves persistently clinging to the branches, not yet ready to fall. If you examine the photos carefully, you can see some of the details and textures of the materials used to build these embankments. Just a few yards above, there is busy world, full of cars and people hurrying about, but here, life moves at a slower pace.

I love too seeing the giant iron rings intermittently embedded in the embankment walls.  These, I believe, are a legacy of past commerce along this river, places where barges would tie up, perhaps for safety or sleep, or simply to silently surveil the scenic surroundings. There are times in our lives when we could all use spots like that.

shadow tree

Shadow Trees on Seine River

© Michael Q. Powell. All rights reserved.

 

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When I spotted this bird as I was walking along the Seine River yesterday morning, I knew immediately that it was some kind of cormorant. Unlike most water birds that float on the surface of the water, cormorants sit really low in the water with their bodies barely visible. Their long necks always make me think of a periscope coming out of a semi-submerged submarine.

Although this bird looks a lot like the Double-crested Cormorant (Phalacrocorax auritus) that I am used to seeing at home, I have determined that it is most likely a Great Cormorant (Phalacrocorax carbo). This cormorant followed a familiar pattern of behavior—it would be swimming along when without warning it would dive deeply into the water and remain underwater for a long time. It was a fun challenge trying to figure out when and where the cormorant would reappear.

Most of the time the cormorant stayed far from the banks of the river, but on one occasion it popped up right in front of me and I was able to capture this image. It was nice to be able to capture some of the orange coloration around the cormorant’s mouth, but the real prize for me was getting a clear view of its spectacular blue eyes. It is definitely worthwhile to click on the image to get a closer look at that amazing shade of blue. If you look closely at the water, you will also notice some small concentric ripples created by the falling raindrops.

When I went walking in the rain yesterday, I knew there was a good chance that I would see ducks and gulls and maybe a swan or two. Who knew there were Great Cormorants on the Seine RIver? No matter where I am, I am always thrilled by the joy of the unexpected, by those little surprises that add so much texture to life. So I choose to live my life in hopeful expectation as I scan the world for marvelous subjects to photograph, confident that they will present themselves if I keep my eyes and my heart open,

Great Cormorant

© Michael Q. Powell. All rights reserved.

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When I first spotted a police zodiac boat yesterday morning as I was walking along the Seine River, it was moving really slowly and seemed to be doubling back periodically. I wondered if someone had jumped off one of the many bridges over the Seine. Then I spotted a floating body, or at least I thought initially that it was floating.

As I zoomed in with my telephoto lens, I could see that the body was moving rhythmically and then I spotted an orange-tipped snorkel. It was a diver in a wet suit who appeared to be getting in his morning training—from what I could see he had flippers and was using a short blue board rather than performing swimming strokes.

The driver of the boat that was marked “Prefecture de Police” also appeared to be in a wet suit. I don’t know if he was bored, but from time to time he would speed ahead and make a sharp u-turn in order to zoom through the arches of a bridge, as you can see in the second image.

When the diver I was following neared what looked to be his destination, I suddenly realize that there were a total of three divers in the water—maybe the other two divers had been waiting for their slower colleague. In the third photo, the divers were getting ready to turn to the left, to an area where I believe the police/firefighting boats are docked. If you look closely at that final image, you can see a small flock of ducks in the background that did not appear to be surprised or disturbed to see humans swimming in the Seine River.

swimming in the Seine

© Michael Q. Powell. All rights reserved.

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Swans seem almost angelic in their beauty and I was thrilled to spot this pair of Mute Swans (Cygnus olor) yesterday as I strolled along the Seine River in Paris. I had the impression that the swans wanted to swim nearer to the middle of the river channel but were unable to do so because of the numerous boats filled with gawking tourists.

Periodically, as you can see in the second and third photo below, the swans had to deal with the waves created by the passing boats. However, they did not complain out loud—they are mute swans after all. The swan in the first image may have been signaling its displeasure, though I believe it was merely trying to dry its wings after being doused by a high wave.

Mute Swan in Paris

Mute Swan in Paris

Mute Swans in Paris

Mute Swan on the Seine

Mute Swans on the Seine

© Michael Q. Powell. All rights reserved.

 

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I think the spiky protrusions were intended to keep birds from perching on this post along the Seine River, but somehow this gull did not get the point.

gull on the Seine

© Michael Q. Powell. All rights reserved.

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After I did the posting called Sunrise on the Seine earlier today, I realized that it did not truly give readers a sense of location. Yes, it was in Paris, and yes, it was on the Seine River. The image was pretty, but it didn’t really speak “Paris.”

I shot a lot of photos this morning as I walked and stopped on the paved pathway down near the water level of the river. I was hoping to be able to capture an image of Notre Dame at sunrise. The angles and timing did not quite work out as I expected. By the time Notre Dame came into view, the sun had already risen a little too high and was directly in front of me.

When sorting through my photos, I initially rejected this image because the bright sun created a hot spot in the image. Later today, I decided to revisit the image and decided I liked it. Why? It has Notre Dame in the frame, of course, but it also shows the effects of the early morning sun as the rays illuminate the boat on the right and the concrete barrier along the pathway.

So, I decided to break my normal pattern and post multiple images today. It’s Paris, after all—I am sure I will be forgiven if I feel extra inspired here.

 

Notre Dame at sunrise

© Michael Q. Powell. All rights reserved.

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Saturday morning sunrise on the Seine River. What a great way to start today in Paris.

Sunrise on the Seine

© Michael Q. Powell. All rights reserved.

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