Posts Tagged ‘beginning watercolor’

I have now successfully completed the World Watercolor Month challenge of doing some kind of watercolor painting each day of July. I have had a tremendous amount of fun and improved my skills and confidence. Thank you all for your support and encouragement for my painting efforts throughout this month.

If you want to see the first four installments of my painting efforts this month, check out my previous postings ‘More fun with watercolor‘, ‘World Watercolor Month 2020—part 2 ,’ ‘World Watercolor Month 2020—part 3,’ and Word Watercolor Month—part 4. This final installment highlights my painting efforts over the past nine days in reverse chronological order.

Day 31 and the prompt was “do-over,” so I had another go at painting a scene that I painted last November while in Paris of a lady with a red umbrella crossing a pedestrian bridge over the Seine that I had photographed. Here is a link to the postingPlaying with watercolor in Paris‘ that shows the November version of the painting, and a link to the post ‘A few more umbrellas in Paris‘ that shows the photo on which the paintings were based.

Day 30 and the prompt was “pose.” I decided to be my own model and painted a version of the photo that has been my profile image for a while. Thanks to my friend, Cindy Dyer, for taking such a good photo of me.

Day 29 and the prompt was “yesterday.” Immediately thinking of the Beatle song by that name, I was flooded with memories of growing up in the 1960’s, so I did a colorful little painting reminiscent of a tie-dyed t-shirt as a kind of homage to that period in my life.

Day 28 and the prompt was “complementary.” Purple and yellow are complementary colors, so I decided to paint a field of imaginary wildflowers in those colors. I made no attempt at realism or nuance in the painting—I just wanted to play with the paint.

Day 27 and the prompt was “shine,” so I painted a little landscape with the moon shining down on a grove of shadowy trees.

Day 26 and the prompt was “favorite song.”  I remembered that one of my parents’ favorite hymns was “His Eye is on the Sparrow,” so I painted a little sparrow. The final line of the wonderful hymn is, “His eye is on the sparrow and I know He watches me.”

Day 25 and the prompt was “sharp.”  I decided to paint a version of a photo I had previously taken of a dragonfly that had chosen a precarious perch on a thorny vine.

Day 24 and the prompt was “abundance,” so I did a tiny painting (3×3 in/76 x 76 mm) of a field full of bright red poppies following a YouTube tutorial by Ellen Crimi-Trent (https://www.youtube.com/watch?v=IUDC7Aojxm4&t=83s). It’s fun to paint something so small, where details are only suggested.

Day 23 and the prompt was “alone,” so I painted a solitary bird perched amidst some blossoms. It kind of looks like a cross between a chickadee and an American Robin. I later learned that the bird looks to be a Varied Tit, a bird found in the Far East. I had loosely followed a YouTube tutorial that did not identify the bird  (https://www.youtube.com/watch?v=BtlLzgfnQxw&t=1222s).

I plan to continue with my watercolor painting, having seen that frequent practice really helps, but it will probably be a while before I post any paintings here on the blog. Thanks again for your support and indulgence as I have veered off my normal creative path.

We should be back to my regularly scheduled nature photography, though you have probably noticed that the photography continued without any discernible pause in July.

Paris Umbrella

self portrait

tie dye





poppy field

Variable Tit

© Michael Q. Powell. All rights reserved.


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July is World Watercolor Month, a month-long challenge in which watercolor painters of all ages and skill levels are encouraged to paint daily and post their work on-line. I have joined this challenge and am trying to paint something every day using the daily prompts at worldwatercolormonth.com. So far, I have managed to paint something every single day, generally following the daily prompt. Thanks to all of you for your support and encouragement as I have taken this little artistic detour on my photography journey.

If you want to see the first three installments of my painting efforts this month, check out my previous postings ‘More fun with watercolor‘, ‘World Watercolor Month 2020—part 2 ,’ and World Watercolor Month 2020—part 3.’ This fourth installment highlights my painting efforts of the past six days in reverse chronological order.

The prompt for 22 July was “valuable.” I decided to depict nature in a landscape done entirely in Payne’s Gray, because during this time of quarantine, nature has been a refuge for me, of inestimable value for my peace of mind. There is no particular significance to the color—I imply liked the idea of using a single color and focusing on values.

The prompt for 21 July was “organic.” When I thought of the word organics, all I could think of was fruits, vegetables, and fertilizer, none of which I wanted to paint. Instead I painted an “organic” landscape with no man-made objects in it. As you can see, all of the objects were stylized as I experimented with a different shape and brush strokes for pine trees.

The prompt for 20 July was “wiggle.”  I decided to do a little painting of a Northern Water Snake that I photographed swimming in the shallow water of the Potomac River earlier this year. The color and pattern is not quite realistic, but I like the way that I captured the snake’s undulation.

The prompt for 19 July was “favorite scent.” I love the smell of pine trees, so I tried to paint a mountain scene with pine trees in the mist after watching a YouTube tutorial by Grant Fuller. My version seems to have an almost Asian feel to it that I really like. This is probably my favorite painting of this little group.

The prompt for 18 July was “soft.” It’s a bit of a stretch, but I like to think the two little sumi-e style birds that I painted have soft feathers on their tummies and are soft-spoken. The birds look a little cartoonish, but I like the way that they seem to be engaged in a conversation.

The prompt for 17 July was “spontaneous.” After watching some YouTube videos about painting loose landscapes, I decided to try an imaginary landscape without any reference photo. I had no idea what my result would look like and used techniques that included applying some of the paint with a palette knife, which explains the brilliant splotch of ultramarine blue in the middle of the painting. I like the colors and the feel of the painting and like to imagine that it is a lake in the crater of an inactive volcano, but you may well see something different.

As I look over these six paintings, I realize that I have used no bright colors at all—it seems that everything is blue, gray, or brown. That definitely was not intentional. Perhaps I will try to brighten things up a bit for the next installment as I push on towards the goal of trying to paint each day in July. Thanks again for your support and indulgence as I veer off my normal creative path.

If you want to learn more about World Watercolor Month, click on this link or go directly to doodlewash.com. In addition to raising awareness and interest about watercolor painting, World Watercolor Month raises support for The Dreaming Zebra Foundation, a charity providing support so that children and young adults are given an equal opportunity to explore and develop their creativity in the arts.







© Michael Q. Powell. All rights reserved.


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Last night I was playing again with watercolors and found inspiration in some videos about Chinese sumi-e brush painting, particularly one by Daleflix on YouTube that showed him painting a dragonfly and a frog. I really like the way that sumi-e painting, which is often done in ink on rice paper, emphasizes the importance of each brush stroke.

My painting skills still need a lot of work, but I especially like how the dragonfly turned out. There is a kind of minimalism in the dragonfly that appeals to me. It was really all-or-nothing when I painted it. Each of the wings, for example, was a single brush stroke, with a little bit of outlining done later. Similarly, the segmented body was done in a single pass.

I kind of got a little lost after I had painted the frog and the dragonfly and tried to add some contextual elements. The water ended up way too dark and some of the branches got too thick. In case you are curious, the painting is 4 x 6 inches in size (10 x 15 cm), so the brush strokes were pretty small.

Still, I like the overall feel of this little painting, which represents a new step for me as I explore watercolors. I think that I may explore this style of painting some more.

dragonfly and frog

© Michael Q. Powell. All rights reserved.

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