Normally when I see hawks, they are perched high in the trees, but last week I was fortunate to spot perched relatively low in some vegetation in a field at Occoquan Bay National Wildlife Refuge. When you have to shoot upwards at a sharp angle, you don’t miss a lot of details on the bodies of these beautiful birds—in this case I was able to shoot at a much lower angle at which I was almost eye to eye with the hawk.
The hawk, which I am pretty sure is a Red-shouldered Hawk (Buteo lineatus) was quite tolerant of my presence and allowed me to get shots from several different angles before it flew away. The middle image in particular suggests that it was well aware of my presence, but did not view me as a threat. I really like the way that I was able to capture the different colors and patterns in the feathers on the various parts of this hawk’s body.
If you compare the three shots, you can see how a subtle movement of a bird’s head or body position can alter the feel of the image in much the same way that a change in facial expression does with human subjects. The major difference, of course, is that you have a bit more control over your subject when it is a person. I must admit, though, that I sometimes try to telepathically instruct a wild subject, but it rarely seems to work.
© Michael Q. Powell. All rights reserved.
Mike Powell 