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Archive for the ‘Landscape’ Category

I watched the sun go down yesterday evening at my local marsh and was initially disappointed as the sun dropped lower and lower on the horizon without any real displays of color. Eventually, though, my patience was rewarded, when for a few minutes  the sky turned a beautiful shade of red.

sunset_sky_blog

© Michael Q. Powell. All rights reserved

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It’s hard to imagine an odder couple than this dragonfly and this turtle, sunbathing together on a log in the beaver pond. What do they see in each other? How do they communicate? Love seems to find a way to overcome obstacles like these.

One thing is clear—they are happy together, sharing this special moment in the warmth of the sun. If you don’t believe me, check out the smile on the turtle’s face.

fun_blog

© Michael Q. Powell. All rights reserved

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When drops of rain bead up on the surface of a leaf, the effect is magical—a world of crystal orbs is created. Most of the time the drops appear almost solid, reflecting back the light.

From certain angles, though, the raindrops serve as lenses, offering us a miniature view of the world. Within the drops, the inner world and the world beyond come together and create a beautiful effect.

drops_blog

© Michael Q. Powell. All rights reserved

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Different flowers affect me differently—some attract me with their beauty or their fragrance or their colors. Others produce an emotional response, like sunflowers, which invariably make me feel happy.

The sunflower’s large size, bright colors, and bold graphic design appeal to me. The sunflower virtually shouts its presence to the world—there is nothing soft and delicate and hidden about a sunflower.

Like this Easter Tiger Swallowtail butterfly (Papilio glaucus), I sometimes enjoy the flowers one at a time. It was really fun, though, to visit a large field of sunflowers last month with some friends and to see row after row of these cheery flowers. I wanted to capture a group shot of the sunflowers, but I struggled to find a way to do so effectively (even though we had even brought along a little stepladder to give us a perspective from above the flowers).

In the end, my favorite shot (the second one below) focuses on a single sunflower, with other flowers a blur in the background. I used a simple 50mm lens (often called the “nifty fifty”) on my camera to make sure that I could control the aperture and throw the background out of focus.

EasternTigerSwallowtail lorez

sunflowers_blog

© Michael Q. Powell. All rights reserved

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In an effort to avoid the unbearable summer heat, this past Friday I went out to my local marsh just as the sun was rising and watched as the sun slowly illuminated the flowers and vegetation and burned off the mist that lingered above the fields.

marsh_dawn_blog

I don’t have a lot of experience shooting landscapes, but am relatively content with the composition I chose. I am also happy that I was able to capture the orange shade of the sky and some of the mist. A lot of the details are lost in the shadows, but that was the way it looked in the limited dawn light. In case you are curious, the flowers in the foreground are a kind of hibiscus that grow in the marsh—I think they are known as Swamp Rose Mallows (Hibiscus moscheutos).

© Michael Q. Powell. All rights reserved

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I didn’t go to a lot of trouble to set up a really cool backdrop, but did manage to get a shot yesterday evening of the supermoon. It was amazing to see how much light it put off and I had no trouble handholding my camera to take a shot, even with my 135-400mm zoom lens. I decided to add a little visual interest to the shot by shooting the moon with the shadowy outline of an electrical tower of some kind in the foreground.

moon1_blog

© Michael Q. Powell. All rights reserved

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There is a spot in a back corner of my marshland park that I love to visit in the early morning, when the light produces beautiful reflections in the still waters of a small pond.

It’s accessible only by an informal muddy trail, so I don’t have to share the moments of tranquility with the baby strollers and power walkers that interrupt my conversations with nature when I am on the boardwalk. Sometimes I will see ducks and geese here and I have even spotted a bald eagle perching in a tall tree, but the main draw for me is not the wildlife—it’s the sense of peace that envelopes me when I am here.

Sometimes I like reflections in which you can easily identify the objects being reflected, like the two trees in the first image. Other times, I get lost in the reflections themselves, which can result in a Monet-like abstract image like the second image below.

All of us are looking for an inner peace—this is one place in which I am able to experience a few moments of that peace.

reflection1_blogreflection2_blog

Michael Q. Powell. All rights reserved

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The Great Blue Heron was too far away for me to capture many details, but the light early yesterday morning was especially beautiful, so I decided to pull back and try to capture the landscape, something that I don’t do very often.

I love the rich bands of color that I managed to capture in this shot and the gorgeous reflections in the water at my local marshland park. The red color, I believe, is from buds that were stripped from the trees by winds and rain this past week.

heron_blog

Michael Q. Powell. All rights reserved

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On my last full day in Vienna (at least for this trip), I decided to take some photos of the city as the sun started to set.

This is a shot of the Rathaus (Vienna City Hall), just after they turned on the lights to illuminate the building. I did not have a tripod with me, so I braced on or against various objects in an effort to steady myself. I may post a few more night shots of Vienna later (if I am not too sleepy or wake up really early), but thought I’d share this one right now.

My trip to Vienna was brief, but enjoyable. I got a lot accomplished work-wise, but had enough free time to really enjoy some amazing spring weather.

Rathaus1a

Michael Q. Powell. All rights reserved

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At this time of the year the sun rises pretty early in Vienna, Austria, but I was able to capture a few shots this morning from my hotel window. In the distance you can see one of the spires of St. Stephen’s Cathedral (Stephansdom), one of the major landmarks of the city.

My little Canon A620 seems to have a maximum shutter duration of one second, so I had to play around a little with aperture and f-stop to try to get a decent exposure. I used a little tripod on the window sill to steady the camera for these shots.

Sunrise1aSunrise2a

Michael Q. Powell. All rights reserved

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Savannah Rapids is the starting point of the Augusta Canal, which was built in 1845 as a source of power, water and transportation for Augusta, Georgia. The Canal was designated a National Heritage Area by Congress in 1996 and now serves primarily as a recreational area. (Click on this link for more details on the history of the canal, which served an important role for the Confederacy during the Civil War.)

On a beautiful morning, I walked along the raised tow path for several miles, with the canal on one side and the Savannah River on the other. The trees were starting to bud and even to flower and even to flower on a day that got up to 75 degrees (24 degrees C). Spanish moss was growing on many of the trees, giving them a look that seemed exotic to me.

Here are a few photos I took of the structures associated with managing the flow of the water in the canal. I love the weathered wood and stone and the interplay of light and shadows and reflections.

Savannah_rapids1_bloglock_blogpillars_blog

© Michael Q. Powell. All rights reserved

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I stood and waited, camera at the ready, as I stared at a hawk in a tree overlooking a field, hoping that he would fly toward me when he spotted a prey.

I waited and waited and finally he took off from the branch. Unfortunately, he flew up in the air and away from me, rather than down and toward me. I tried to track him and snapped off a couple of photos.

I managed to capture him with his wings fully extended as he headed into the woods and was struck by the degree to which he blends in with his surroundings.

I am sure that I will soon find myself in a similar situation, watching and waiting—it’s the fate of those of us who choose to photograph wildlife.

hawk_woods_blog

© Michael Q. Powell. All rights reserved

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Fog, low-hanging clouds, and reflected light gave the skies of Washington D.C. an orange-colored glow last night, which made for dramatic shots of the Washington Monument.

I don’t really understand the scientific basis for the phenomenon (perhaps air pollution contributed to it), but tried to capture it with my camera. I took these shots at about nine o’clock in the evening using my tripod and a long exposure, even thought they look like they might have been shot at sunset.

A friend convinced me to go with him to Washington D.C. with the goal of getting some photographs of the Washington Monument shrouded in heavy fog, which turned out not to be the case. Instead, we got something totally unexpected that turned out to be even better than that for which we had hoped.

Monument & TreesWashMonumentOrangeSky

© Michael Q. Powell. All rights reserved

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Thanks to my fellow bloggers, I have become much more attuned to the little bits of color and texture that surround me when I walk through the woods. I used to look up and forward for animals and birds, but now I am also looking down for interesting mushrooms and tiny plants.

Here are some photos of one of the strangest looking things—I think it is a fungus—that I encountered recently. It looks a little like coral or something that you would see underwater, although it was growing on a downed tree. The texture and shape remind me a little of cross-sections of a human brain.

Whatever it is, I really like its color, shape, and intricate contours.fungus1_blogfungus2_blog

© Michael Q. Powell. All rights reserved

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I tend to look at cattails primarily as a place for interesting birds and insects to perch, but earlier this month I was really struck by the beauty, texture, colors, and lines of the cattails themselves.

How do you capture the uniqueness of the cattails? Here are the results of a couple of different approaches that I used to try to respond to that question.

cattail_blog

cattails2_blog

© Michael Q. Powell. All rights reserved

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This past weekend I hiked on the Potomac Heritage Trail, a trail that follows the Potomac River beginning near Washington D.C. on the Virginia side of the river,  and is very narrow and rocky. In several places, I passed waterfalls as various streams fed into the river, including this one that was partially frozen that really caught my eye. Given that we don’t generally get much snow, this is about all I can muster for a wintery photo.

waterfall_blog

© Michael Q. Powell. All rights reserved

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What is this thing? If I squint my eyes a little, it looks like a weathered sandstone formation on the side of a steep mountain, with beautiful colors and textures.

When reality intervenes, I have to acknowledge that this is only a tree with some kind of growth on its side. I suspect that it’s a mushroom or some other kind of fungus, but I am not sure. Maybe it’s the tree version of a tumor.

Mostly, though, I don’t worry about answering my initial question—it’s not that important for me to identify what this is. I can enjoy its beauty in an abstract way by focusing on its shape and color and texture, by looking at the highlights and the shadows.

growth_blog

© Michael Q. Powell. All rights reserved

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I love the way that a small amount of snow brings out geometric shapes that might otherwise be hidden from view, like these sinuous curves at the edge of the marsh. The iced-over water has a darker tone that contrasts with the white of the snow and gives this photo an abstract quality that I really like. The texture of the wood in the foreground and its angular line add another element of contrast.

This shot is somewhat atypical for me in that it does not contain living creatures and is not a close-up—some days shapes and patterns and light and geometry are sufficient to attract my attention.

geometry_blog© Michael Q. Powell. All rights reserved

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If you look carefully at this photo you can see why I am able to take photos of the local beavers—when I am standing on the boardwalk I am virtually on top of their lodge in the center of the beaver pond.

About 18 months ago, the county replaced the boardwalk surface at Huntley Meadows Park with a synthetic material and shortly thereafter the beavers relocated themselves from another area of the park. I am not sure how the beavers decided on this spot, but they took over one of the benches on the boardwalk and integrated it into their architectural plans. This fall I followed their progress as they added mud and branches to the lodge and built up the walls surrounding the beaver pond.

The entrance to the lodge seems to be underneath the board walk itself and the recent photos I have taken of the beavers and muskrats have been in the pond area to the right. This is also one of my favorite spots for photographing geese and ducks taking off and landing and, during the summer, for getting shots of dragonflies, frogs, and turtles.

lodge_blog

© Michael Q. Powell. All rights reserved

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Preparing to leave “my” marsh yesterday afternoon, I looked over the frozen fields and waters and was struck by the beauty of the light and the reflections of the sky in the puddles. The scene was awash in shades of blue and gray. Somehow the photo of the scene is not quite as beautiful as I remembered, but I decided not to tweak it much.  In addition to capturing the moment, this photo also provides you with a view of part of the marshland where I take so many of my photos.

marsh_blog

© Michael Q. Powell. All rights reserved

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This is as close as I can get to showing you what the full moon looked like to me last night, with an orange tinged glow surrounding it. The image includes some tree branches on the right side of the photo in a mostly futile effort effort to frame the moonlit sky.

Last night I posted a photo that showed the moon and the clouds, but I wasn’t satisfied that it represented really well what my eyes had seen. So I went over the images again that I shot and came across this one. It required a bit of tweaking in Photoshop Elements to tone down the really bright light of the moon, but I had managed to capture some of the details of both the moon and the clouds.

I shot quite a few photos as I searched for a combination of f-stop and shutter speed that would capture the moment. This one was shot at f20 with a shutter speed of .8 seconds and was overexposed. Some of the other shots with faster shutter speeds rendered the moon well, but the sky was black and no amount of tweaking could bring out the clouds. Longer exposures, on the other hand, resulted in beautiful clouds, but the moon was a perfect circle that was pure white and, again, I couldn’t tweak the settings to get details.

As I was shooting, the light kept changing as the moon moved in and out of the clouds, which complicated my efforts. Learning from my previous efforts to shoot in the dark, though, I had a small flashlight with me to assist me as I repeatedly changed the settings on my camera.

I’m a little more content with this photo than the other one that I posted of the full moon but that doesn’t mean that I won’t be outside again this evening experimenting further with capturing this tricky subject.

moon2_blog

© Michael Q. Powell. All rights reserved

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The tall plants in the marsh have withered and faded, but they are still standing, defiantly displaying their interesting shapes and textures against a snow-covered backdrop. Two pods are standing together and one is apart, three others are bent over in the center. The bits of orange add a touch of color and the silken strands to the left add a different texture. In a few months, brighter colors will return, but for now this serves as a reminder that there is still life in the winter.

still_life_blog

Click on the photo to see more details.

© Michael Q. Powell. All rights reserved

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The full moon tonight was so bright that I had trouble getting the right exposure to capture it and also the light reflected on the clouds. I got some nice shots of the clouds, but the moon was a solid white orb and I got nice shots of the moon, but the clouds were invisible. Here is a shot in which both of the elements are visible, although I didn’t catch entirely well the glow surrounding the moon. I’ll have another chance next month.

moon_blog

© Michael Q. Powell. All rights reserved

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I came upon a rock last weekend and my eyes were drawn to its shape and texture and the way that it seemed to be floating in the sky. Normally I don’t shoot abstract shots, but I somehow felt compelled to take this photo. I like the way it turned out—it’s simple and graphic.

rock_blog

© Michael Q. Powell. All rights reserved

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Yesterday late in the afternoon I noticed that the moon was already visible and ascending. I took a few shots and deliberated underexposed them in order to darken the sky. Sometimes it’s possible to get good shots of the moon without waiting for it to get dark.

moon_blog

© Michael Q. Powell. All rights reserved

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On a long walk along the Potomac River a couple of weeks ago, I stopped to take some photos of National Airport. Its full name is Ronald Reagan Washington National Airport, but that name is so long that most of just refer to it as National Airport. One of its nicest features is that it is just across the river from Washington DC. and is incredibly convenient to access. In addition, I find it really cool-looking and really like the control tower and the “Jeffersonian” domes that make up the terminal.

Control Tower and terminal at National Airport

Control Tower and terminal at National Airport

Jut past the north end of the runway there is a park, called Gravelly Point, where you have an incredible view of planes taking off and landing. When I was there, it seemed like it was mostly fathers and their young sons who were observing the aircraft. Here’s a shot I took from that location of a plane taking off. In the background you can see Woodrow Wilson Bridge, one of the major bridges that crosses the Potomac River.

Taking off from National AIrport

Taking off from National Airport

© Michael Q. Powell. All rights reserved

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This past weekend there was a thin layer of ice on many of the little ponds at my local marshland park. I thought the ice would deter the migrating ducks and geese from stopping in, but I was wrong. Perhaps they just needed a break from flying.

It seemed unusual enough that I took some photos of the ducks walking on the frozen water. The first two images are pretty straightforward, but I tried to be a little creative in framing the third image, as a female duck contemplates the vast expanse of the ice in front of her.

I even tried to capture a duck landing on the ice in the last photo. A female duck is making a soft landing as her male companion prepares to come in right behind her. It’s not really sharp, but it gives you the idea. I had previously thought that the ducks would aim to land in the water that had not yet frozen, but obviously the ducks know what they are doing.

I never know what I will find when I venture out into nature—it’s one of the reasons that I keep returning to the same places, in hopefeil expectation of new surprises.

cold_duck1_blogduckwalk_blogice_duck_blogice_landing_blog

© Michael Q. Powell. All rights reserved

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Do you ever play with the white balance of a photo in post-processing? I never realized before that a simple change to the white balance can fundamentally change the feel of some images.

I am currently using Photoshop Elements and the white balance slider is something that I haven’t experimented with much when processing my RAW images. Normally my camera is set to automatic white balance, so I don’t worry too much about the temperature of the light being wrong. I was thinking a lot about light, however, when looking at an image of reflected moonlight that I shot last week. I shot it at ISO100, f20, and 20 seconds. According to my computer, the image as shot had a color temperature of 3950 Kelvin. Wondering what would happen I changed the temperature to something different, I moved the temperature to the shade setting of 7500 K.

Transformed moonlight

Transformed moonlight

Suddenly my cool, moon-lit scene looks like a warm sunset. To give you an idea of the initial image, I went back to the RAW file and changed the color temperature to its original setting.  The image is not exactly as it came out of the camera, because I made some other changes in Camera RAW, but you can see the big difference.

The second image is closer to what my eye saw, but in many ways I like the transformed image more. My unofficial resolution for the coming year may be to learn more about processing my photos (and there seems to be an awful lot to learn).

Moonlight

Moonlight

© Michael Q. Powell. All rights reserved

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The skies turned dark and gray this morning and rain gradually turned into snow, a wet snow with large flakes that quickly covered the ground. It snowed hard for an hour or so, but the snow clouds eventually blew away and sunshine arrived to destroy all of evidence of the snowfall.

As the snow was falling, however, I went walking through the neighborhood with an umbrella in one hand and my camera in the other. Wondering if I would see any birds (I had visions of brightly-colored cardinals on pine branches against a backdrop of snow), I heard the unmistakable sound of a crow. It wasn’t hard to locate him and as I was focusing on him he took off. Mainly on instinct, I snapped a photo and got an interesting photo.

It’s a moody, dark photo that is perhaps a little ominous.  The crow seems to be a perfect match for the rest of the elements of the scene.

I’ll have to wait for another time for photos of beautiful birds in the sunshine with glistening snow.

Crow in the snow

Crow in the snow

© Michael Q. Powell. All rights reserved

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In many ways this is a companion piece to my last posting that showed early-morning moonlight reflected in my local marsh. Less than an hour after I took that shot yesterday morning. the sun began to rise. As I looked to the east, I watched in wonder as the skies behind the trees were transformed into a beautiful mixture of pink, orange, and purple. Eventually the sun rose high enough to bring light into my world and I tried to capture the rays of the sun just starting to pierce the darkness.

Colorful skies as the sun rises

Colorful skies as the sun rises

Rays of sunshine penetrate the darkness

Rays of sunshine pierce the darkness

© Michael Q. Powell. All rights reserved

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Last night I saw a beautiful almost-full moon as I was driving home from work, so I got up early this morning with hopes of seeing the moon setting before sunrise.

The moon was bright in the cold pre-dawn sky.  Although it was partially obscured by clouds, the moon illuminated my way along the darkened path to the boardwalk of my local marsh. There were geese sleeping in the fields just off the boardwalk and I attempted to photograph them (I’ll post a photo or two of them later). I tried photographing the moon itself, but the overcast sky prevented me from getting any details of the moon, which looks like a blob of light in all of my photos. I had somewhat greater success in taking photos of the moonlight reflecting off the water. I had my camera on a tripod for extra stability, but focusing in the dark was difficult and I couldn’t see the dials of the camera, so my settings were not always right.

Here is my favorite image that shows a pathway of reflected light from the moon. The subject that I photographed is pretty mundane, but I really like the overall atmosphere of the photo.

Moonlight

Moonlight in the marsh

© Michael Q. Powell. All rights reserved

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