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Posts Tagged ‘leaf’

How do you convey a sense of the winter season? Do you take wide-angle shots of snow-covered mountain peaks? Do you show vast fields or forests or frozen ponds, all blanketed in white?

I didn’t really have a plan when I set out for a walk in my neighborhood after a recent storm that dumped over six inches of snow (about 15 cm) on us. The sun was shining and the snow was beautiful, though it was windy and cold. I walked for a while, taking in this uncommon view of the common scenery (we don’t get snow very often in Northern Virginia), when I caught sight of some motion out of the corner of my eye—an oak leaf was dancing across the surface of the powdery snow.

When the leaf came to rest, I hurried toward it, wanting to capture the simple beauty of this winter still life that conveyed to me a sense of the winter season.

leaf_snow_blog

© Michael Q. Powell. All rights reserved

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It’s been gray and rainy almost all this week in Brussels, so many of these shots feature raindrops. When I am away on a trip for business, I generally carry only my point-and-shoot camera, an old Canon A620.

This trip I decided to experiment with the macro mode and see what kind of shots I could get. I was pleasantly surprised with the results and even managed to get some insect shots, despite the fact that I had to get really close to them, compared with the macro lens that I normally use. I never had to worry about harsh sunlight—I never saw any the entire trip—and mostly had to shoot a a high ISO and an almost wide-open aperture.

I did get some shots of the buildings in Brussels, which looked almost monochromatic in the gray light, but will post some of those images when I return home from the trip.

beepink1dropsflyleaf_dropspink2

© Michael Q. Powell. All rights reserved.

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When drops of rain bead up on the surface of a leaf, the effect is magical—a world of crystal orbs is created. Most of the time the drops appear almost solid, reflecting back the light.

From certain angles, though, the raindrops serve as lenses, offering us a miniature view of the world. Within the drops, the inner world and the world beyond come together and create a beautiful effect.

drops_blog

© Michael Q. Powell. All rights reserved

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It doesn’t get much simpler than this—light shining through this leaf from behind created a graphic image that stands out from its blurry background. The color palette is mostly just shades of green. The suggestions of lines in the background help to add some visual interest.

The image is both striking and soothing to me, an interesting combination of reactions.

leaf2_blog

Michael Q. Powell. All rights reserved

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After a frosty start, today was the warmest it’s been in a while, partly sunny with highs above 60 degrees F (about 16 degrees C). As the sun was starting to set, I decided to be a little creative and see if I could highlight a single leaf with the colorful sky in the background. I found a suitable tree without too much problem, but finding a leaf at the right height with an unobstructed background was a little tricky. I happened to have my 100mm macro lens on the camera and decided to go with that. I knew that I would need to use a little flash on the leaf to keep it from getting lost in the shadows. I used settings of ISO 100, F32, and 8/10 sec to get the effect and tweaked the image slightly in Photoshop Elements, though I chose not to crop at all. Here’s a couple of shots of my experiment. (In case you are curious, the leaf is still attached to the tree, even though it looks like I am merely holding it in from of the lens.)

© Michael Q. Powell. All rights reserved.

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The leaf is back-lit and drops of dew glisten on its surface, a surface that is scarred and torn and unevenly colored with the tints of the fall. In its beautiful imperfection, this autumn leaf speaks to me in the simple, abstract language of lines and shapes, of light and color.

Abstract fall leaf

© Michael Q. Powell. All rights reserved.

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Life’s pleasures can be so simple, like watching a floating leaf on a sunny day as it is propelled across the water’s surface by a gentle breeze.

© Michael Q. Powell. All rights reserved.

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Over the past month I have complained repeatedly about the lack of bright color in the fall foliage here in the Washington, D.C. area. The muted color changes just do not match up to my childhood memories of spectacular displays of red, orange, and yellow leaves in the trees of New England. As a result, I have not felt inspired to take up my camera and capture the changing season.

My attitude changed, though, when I read an article by Sparky Stensaas in The Photonaturalist entitled 10 Reasons NOT to Take Fall Leaf Photos. I encourage you to read the article (by following the link above) if you keep coming up with excuses, as I did, why you cannot photograph the leaves of the fall. The author summarized the article in this concluding paragraph:

“There you have it…A bunch of reasons NOT to shoot this fall’s gorgeous leaves…And a bunch of solutions to these common excuses. Now let’s get out there and shoot like crazy before all the leaves are gone!”

Feeling a bit more motivated, I set out yesterday determined to take some shots, among other things, of the autumn leaves. I tried a number of different approaches and am still sorting through my photos, but thought I’d post this one that caught my attention.

Fall leaves before they fall

I was walking through a path in the woods when I came into a small area where the sunlight was shining directly in my eyes, providing some backlighting for these leaves that were almost at eye-level. The leaves themselves are far from being perfect specimens, speckled as they are with brown spots. For the moment, the leaves remain attached to the tree, but inevitably they will drop to the ground to join the ranks of the fallen.  The colors, shapes, and textures of these leaves, however, serve as visual reminders for me of the beauty of the changing seasons, a beauty that may proclaim itself in bold swaths of spectacular color or speak with a quieter, more intimate voice.

© Michael Q. Powell. All rights reserved.

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I came across this tiny damselfly yesterday when I was visiting a local garden in the late afternoon. Initially I spotted her when she was flying and I was thrilled when she chose to land in a spot where I could photograph her. I apologize to the experts for not identifying the type but I find it impossible to identify damselflies (and even dragonflies are not easy).

Damselflies are particularly challenging for me to photograph because they are so long and skinny. If I photograph them from the side, the eye is often out of focus and if I try to shoot head-on, depth of field is an issue.

I ended up with a photo that I shot from above and to the side. Somehow I managed to reduce the composition to the damselfly, the branch to which she is clinging, and a couple of leaves.

I find special beauty in that kind of simplicity in nature and in my photography.

Unidentified damselfly

© Michael Q. Powell. All rights reserved.

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What do bees do when it’s raining? I never really gave the question much thought until this morning when I saw a really cool photo by the unUrban Studio showing a bee seeking shelter in an orchid in an early morning rain.

When I took a walk in the light rain earlier this afternoon I decided to look carefully to see if I too could find bees hiding from the rain. Much to my surprise I found the bee shown below, clinging to the underside of a leaf. Apparently it protects him pretty well, though you can see a couple of drops of water on his lower body. The moisture also seems to have caused his hair to frizz a little.

I remember when I too had hair that frizzed when it was humid but those days, alas, are long gone (as is my hair).

© Michael Q. Powell. All rights reserved.

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