How close should I try to get to my subject? How much attention should I pay to environmental elements when composing a shot? When is the decisive moment to grab a shot when the subject is in motion? These were some of the thoughts swirling through my head when I spotted this Black Swallowtail butterfly (Papilio polyxenes) last Friday at Occoquan Bay National Wildlife Refuge.
There are several dark swallowtails in our area, including the Spicebush Swallowtail, the Pipevine Swallowtail, the dark morph of the Eastern Tiger Swallowtail, and the Black Swallowtail. Sometimes it is hard to tell them apart, but in this case I spotted the black dots inside of the orange dots in the area between the wings, one of the identifying marks of a Black Swallowtail.
The first shot was one of the earliest shots that I took and I remember staying far enough away from the butterfly to be sure that I included the curl of the leaf coming out of the stalk of vegetation. I also tried to time my shot to catch the butterfly with its wings spread wide and was mostly successful.
I moved in closer and captured the second image, which shows more of the details of the butterfly. Although the camera settings remained the same, the background is more out of focus than in the first shot, because depth of field tends to get shallower when you get closer to a subject. I also tried to shoot from a slightly higher angle by standing on my tiptoes—you can see more of the vegetation over the butterflies left eye in the second image than in the first.
I chased this butterfly around as it flew about and waited patiently for it to perch again. I captured the final image when it landed on a different kind of plant. Normally a shot like this when the subject is facing away from you is not a good shot and is derisively referred to as a “butt shot” by many photographers. In this case, however, I was struck by the way that the angle of the butterfly’s wings complemented the angular shape of the plant’s leaves and I like the abstract feel of the image that I captured.



© Michael Q. Powell. All rights reserved.
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