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Posts Tagged ‘Canon Rebel XT’

Can cardinals smile?

This past weekend, I was observing a male Northern Cardinal (Cardinalis cardinalis) in the underbrush. He was busily pecking away, probably searching  for something to eat.

All of the sudden he stopped what he was doing. Cocking his head to the side a little, he turned in my direction and smiled, or at least it seemed that way to me. The glint in his eye enhanced the effect, as though he was amused by my antics.

Smiling cardinals? I choose to believe in them.

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© Michael Q. Powell. All rights reserved

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Yesterday I was out again in the marsh, hoping to photograph frogs as they were croaking.  Of course, the first problem was finding them. I could hear them throughout the marsh, but many of them were hidden from view in the cattails or far out in the water.

Eventually I was able to locate a few frogs that were within the range of my camera and I am still going through those images. What I was looking to capture was the vocal sacs that expand like little bubbles when they make the croaking sound. I am still not sure if I captured that phenomenon well enough, but plan to post some images later.

One of the frogs that I spotted, a Southern Leopard Frog (Lithobates sphenocephalus), was apparently unaware of my presence and began swimming slowly in my direction. He seemed to be trying to keep his head above the water and doing a version of what I used to call the “dog paddle”—I may start calling it the “frog paddle” from now on.

This photo shows the swimming frog in mid-stroke, surrounded by lots of bubbles. I am not sure if he is responsible for the bubbles, but they add a nice touch to the photo.

I’m pretty sure that I will be off again soon in search of frogs, snakes, and turtles as me move into spring. Stay tuned, there’s more to come.

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It’s a little ironic that I took these photos of a Ring-necked Duck (Aythya collaris), some of my best duck photos, in a man-made pond in my neighborhood, rather than in a more natural setting. I have never seen any Ring-necked Ducks at my marshland park—perhaps the water is not deep enough for these diving ducks—but found them in a very suburban setting.

The light was bright on the day when I watched some of these ducks diving and resurfacing every couple of minutes. The glare was pretty intense on some of my initial photos and I didn’t like the way they turned out.

However, there is a walking trail all of the way around the pond, so I went off in search of a better lighting situation.  When I reached an area of open shade, I encountered this duck near the shore. Unlike his fellow ducks, he seemed to be relaxing and was remarkably cooperative in letting me take his portrait.

If you are like most people, you may wonder why this duck is not called a ring-billed duck, because there doesn’t seem to be any ring around his neck. According to the Cornell Lab of Ornithology, the bird’s name refers to the hard-to-see chestnut collar on its black neck, which apparently jumped out to the nineteenth century biologists that described the species using dead specimens.

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Do you ever take shots that you really like, despite technical flaws, because one aspect of the photo came out really cool?

That was the case with this photo of a robin from this past weekend. It was in the middle of the day and the light was pretty harsh, coming in through the leaves almost directly in front of me. As you can see from the robin’s shoulders, the light bleached out most of the color. However, the light also illuminated the robin’s bill, actually shining through it in a really cool way. I also like the way the background turned out.

I am always willing to look for subjects in all directions, and not just for ones in optimal light. You never know when the light will reward you in unexpected ways.

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I’m starting to see hawks—primarily Red-shouldered Hawks (Buteo lineatus) with some regularity, but really good shots of these powerful birds have proven to be elusive so far.

I am happy that I am beginning to capture images of the hawks while they are flying, but virtually all of the time they are flying away from me and not toward me, so the hawks do not fill up much of the frame.

Perhaps when the weather is warmer, there will be more prey for the hawks, thereby giving me more chances to get good shots. At a minimum, I’ll have more hours of daylight in which to make my attempts.

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I was staring intently at some ducks in a secluded area of the marsh, when suddenly my eyes caught sight of movement in one of the trees overlooking the pond. The next think I knew a Great Blue Heron (Ardea herodias), who had apparently been perched on the tree,  was flying through the air.

This is the best of the shots that I was able to take. Most of the times that I have attempted a similar shot in the past, the white in the face has been totally blown out. I still need to work on getting a better exposure, but feel like I am making progress. Now if I can just find a cooperative heron.

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Yesterday, the marsh was alive with the sound of music, frog music. Entire areas of the marshland seemed to resound with waves of sounds, some it high-pitched and some of it lower in range. The warm weather, in the low 60’s (16 degrees C), seemed to have roused the frogs from their sleep and they were in the mood to sing.

Although I could identify the general areas of the frog activity, it proved to be very difficult to spot the frogs themselves. My eyes scanned and rescanned the shallow waters near the cattails until at last I spotted a frog.

I think this frog is a Southern Leopard Frog (Lithobates sphenocephalus), but I am not entirely sure of my identification. You can see from the photo how effectively he is camouflaged.

Frogs and turtles are starting to be active, can the dragonflies be far behind?

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After endless gray winter days, the beauty of a sunny day seemed magnified and the vivid colors of this mallard duck looked even brighter. I love the shade of blue of the feathers that show through when the ducks are in flight, especially when they are taking off and landing.

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At the edge of a cattail patch, this male Downy Woodpecker (Picoides pubescens) was pecking away at the branches of a small tree, moving upward until he had reached the tip of the branch. For a short moment, he took a break from his work and turned his head to the side, which let me take a nice profile shot.

Perhaps he was searching for the next plant to peck, maybe the cattail in the distance.

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On a cool and windy day, this bright scarlet male Northern Cardinal looks like he chose to wrap himself in an old-fashioned cloak for protection from the elements.

I really was struck today by the sharp distinction between the coloration of the head and the rest of the body of this cardinal.

Do cardinals change colors in the spring?

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Do you aspire to photograph extraordinary subjects in exotic locations or are you content to shoot ordinary subjects in nearby locales?

This past winter (well, it’s almost past), I have really enjoyed photographing birds. At times, I have longed to be able to capture awe-inspiring images of hawks and eagles, of ospreys and owls and have thought about the travel and equipment that might be required to do so. Does that make me an adrenaline junkie, always searching for more, someone who requires increasing amounts of excitement to be content?

For the moment at least, I know that the answer is “no.” My pulse still quickens when I see a robin or a cardinal. I will take shot after shot of geese and ducks flying and landing. I am willing to kneel in the mud to try to get yet another shot of a sparrow. Here is one such shot of a Song Sparrow (Melospiza melodia) from earlier this week that I really like.

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I am content with the ordinary and strive to capture and display its beauty. Cristian Mihai, a wonderful, easy-t0-read blogger, wrote a posting yesterday on beauty, entitled Beauty will save the world that I really recommend. It caused me to think more deeply about my photography, about my goals and motivations. What is is about beauty that prompts a desire to respond, to share it with others?

I started this posting with a false dichotomy, with alternatives that are not mutually exclusive to stimulate thought, the kind of inner examination that I have been conducting. There is no simple answer—sometimes it is sufficient to simply think about the question.

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I stood and waited, camera at the ready, as I stared at a hawk in a tree overlooking a field, hoping that he would fly toward me when he spotted a prey.

I waited and waited and finally he took off from the branch. Unfortunately, he flew up in the air and away from me, rather than down and toward me. I tried to track him and snapped off a couple of photos.

I managed to capture him with his wings fully extended as he headed into the woods and was struck by the degree to which he blends in with his surroundings.

I am sure that I will soon find myself in a similar situation, watching and waiting—it’s the fate of those of us who choose to photograph wildlife.

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Walking through the woods on Monday, I heard the sound of a woodpecker and was pleasantly surprised to see that it was a Red-bellied Woodpecker (Melanerpes carolinus).

Most of the woodpeckers that I see are Downy Woodpeckers, which are cute in their own way, but I had been longing to see some of the bigger woodpeckers. Although the woodpecker was fairly high in the tree, I was happy that I managed to get some recognizable shots in different poses.

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I stopped in the visitor center as I was leaving the park and happened to glance through the window at the bird feeders. The birds at the feeders tend to be fairly small, including nuthatches, chickadees and tufted titmice. Imagine my surprise when a big woodpecker showed up at the suet feeder—it was another Red-Bellied Woodpecker.

Although I was indoors, I decided to take a few shots of the woodpecker.  I think I ended up with a pretty cool image, in which the shadow of the wire cage imparted a striped pattern to the bird’s bill. When you first look at the image, you may not even realize that the stripes are added.

Now that I have photographed a medium-sized woodpecker, I will be in search of a Pileated Woodpecker—the superstar of woodpeckers.

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A flock of robins was really active in my neighborhood this morning, busily pecking the ground as the freezing rain gradually turned into snow. This American Robin (Turdus migratorius) didn’t even have time to clean up before I took his portrait.

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Click on the photo to see a higher-resolution view

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The sky was a spectacular shade of blue on Monday, providing a beautiful backdrop to this shot of a female Northern Cardinal (Cardinalis cardinalis).

I’ve posted quite a number of photos of cardinals, primarily of male cardinals, but one of my fellow bloggers commented that you can never have too many photos of these beautiful birds.

I agree.

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This past weekend, I made another trip to the orchid exhibit at Lewis Ginter Botanical Gardens in Richmond, VA, in part to hone my macro-shooting skills that have atrophied during the winter months.

I have grown accustomed to photographing birds and small mammals at the far end of my telephoto range in situations in which I don’t have much time for decision-making. If I am lucky, I am able to quickly check the direction of the light and adjust my camera’s settings, but sometimes there is insufficient time for even those rudimentary checks.

When I am shooting with my macro lens, my camera is usually attached to my tripod and, if I remember to do so, I have time to think about the exposure, the settings, and the angle before the shot. More importantly, I can look at the results and take a second shot. Birds and animals rarely give me a second chance.

Here are shots of a couple of the orchids that at the exhibition. I don’t know the names of the orchids, but one of my Facebook friends told me that the red one is from the Cymbidium genus. As I was working on the images, I noticed that I photographed both of them from almost the same angle. Perhaps I liked that angle, but most likely I was desperately trying to get an uncluttered background and this view allowed me to minimize distractions.

I can tell I need to retrain my eyes a bit to look at the tiny details as I prepare for the insect and flower season. Baseball is not the only activity that requires spring training.

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I am not absolutely sure what this muskrat (Ondatra zibethicus) was doing when I took these photos yesterday, but it look to me like he was grooming himself.

I really like the way that you can see his two little front paws in the first photo—he almost looks like he is praying. In the second photo, it appears that he is rubbing something onto his cheek. Was he putting on make-up because he knew that I was photographing him?

I don’t know the beauty secrets of muskrats, but maybe rubbing cattails on your face helps to reduce wrinkles.

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Yesterday was the first time that I was able to get some shots of a muskrat (Ondatra zibethicus) out of the water, eating and grooming.

The muskrat was at the edge of a patch of cattails that grow in the middle of the beaver pond at my local marshland park and I actually heard his feeding sounds before I was able to see him. He was a pretty good distance away, but the late afternoon sun illuminated the scene from the left and provided enough light for me to focus the camera.

I am going through the other shots that I was able to snap off before he slid into the water, but thought I’d share this image of the muskrat chewing on what looks to be a cattail stalk. I like the way in which the cattails help to frame the image, rather than block the view, which is usually the case.

I went to the marsh yesterday with the hope of getting some photos of the beavers, which did not make an appearance while I was there, but I ended up with something a bit better—one of the serendipitous joys of photographing wildlife.

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Although it is enjoyable and challenging to try to photograph large, colorful birds, I often find myself returning to photographing smaller, more ordinary birds. It’s a different kind of challenge capturing images of these little birds, who seem to be in constant motion.

This afternoon I was able to photograph this Song Sparrow (Melospiza melodia) when he stopped for a moment to get a drink of water.

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Capturing images of ducks in flight has been a lot more difficult for me that photographing geese. Geese are larger, fly more slowly, and are more predictable than their skittish duck counterparts.

My camera also seems to have a problem grabbing the focus of these smaller birds when they are moving. Nonetheless, I still spring into action whenever ducks take to the air and occasionally I manage to get shots that are pretty much in focus. Here are a few such images of mallard ducks from this past Friday.

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Red-winged Blackbirds are one of the few birds that I can identify by their call. Yesterday I could tell that there were several blackbirds in the cattails at my local marsh long before I actually saw them, thanks to their very distinctive call. I tried several times to photograph the blackbirds while they were calling out and this was my favorite image.

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What is the best way to capture motion and have the subject in focus? Recently I have been experimenting with different camera settings and shooting techniques in trying to photograph birds in flight.

Yesterday I concentrated a large part of my efforts on Canada Geese (Branta canadensis). They make good test subjects because they are large and relatively slow-flying birds (and there are lots of them). I have done a number of postings of geese taking off and landing and in those cases I usually try to freeze the action. Getting the photo in focus is not always easy, but the action is usually taking place in a small geographic space and that helps a little with getting the focus locked in.

Capturing the geese before they being the landing process or after they are in flight has always been tough for me, but I think my skills are improving with practice. Generally I will try to focus on a single goose to make things easier. Yesterday, though, I decided to try to capture a group of geese flying together and had some success using a panning technique. The background blurred nicely, the necks of the geese are in focus, the wings have a bit of motion blur, and the geese themselves have assumed interesting poses. As I recall, I had my focusing point on one of the geese in the center. Some of the photographers I see with really long telephoto lenses have special mounts on their tripods that let the lenses swing freely as they track the birds, but for the most part I have been taking these shots hand-held.

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I used a slightly different technique with a couple of geese that were closer. Using one of the first rules I learned about photographing people and animals, I tried to focus on the nearest eye of one of the geese. Well, actually I probably was trying to keep my focusing point on the goose’s head in reality, but I was thinking of the eye. As you can see, there was not a lot of depth of field, but things worked out well with the face of the nearest goose in pretty sharp focus. The blurry wings provide a nice contrast with the sharper elements and my eyes are drawn to the goose’s eyes and open bill.

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For me, experimentation is one of the best ways to learn new things and I am definitely learning more and more about my camera and my techniques, which will help me when I try to photograph subjects, like hawks, that are less cooperative than the Canada Geese.

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In the orange glow of the sky, the trees cast their reflections on the black granite surface of the Vietnam Veterans Memorial wall.

It was a moment to reflect on the names of more than 58,000 men and women whose names are inscribed on the wall. I am old enough to remember the conflicted mood of the country at the time of that war.  In the late 1970’s I enlisted in the U.S. Army and served on active duty for twenty years. With that experience, I can’t help but be humbled by the memorial to the sacrifice of so many Americans for the common good.

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From certain angles, I could see reflections of the Washington Monument in the wall. It proved to be very difficult, however, to capture that reflection in a photograph. I used my tripod and a long exposure, but never quite captured the feeling of the moment. I am posting one of those efforts as a kind of aspirational shot, one that I hope to shoot better in the future.

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I’m finally finishing up with the shots from my trip last weekend to see the orchid exhibition and thought I’d post a couple of abstract images.

The first shot is a close-up of an elephant ear plant. I like the way its veins pop out, like a bodybuilder with a heavy weight. The image is somewhat symmetrical, but the two sides are not mirror images.

The second shot is a close-up of an orchid. Is it just me, or does it look like the flower contains a pink Darth Vader helmet?

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Lately I have been playing around with the auto-focus settings on my camera, trying to figure out how they work and deciding when it is appropriate to use each of the modes.

After doing some reading and watching some videos on the internet, I decided to remap one of the buttons on my camera. As a result, I no longer engage the autofocus by pushing down halfway on the shutter release—I engage it by pushing on the * button with my thumb. If you are interested in the reasoning behind this process, you can Google “back-button autofocus.”

Next I decided to experiment with AI Servo mode, which is supposed to be the best mode for moving subjects. Previously, I had been shooting in One Shot mode or AI Focus (which is a hybrid mode). Most of the time, that meant I had to achieve focus separately for each image. I am still having some difficulties with the Servo mode, in part because it’s hard to know for sure if the focus has locked on the subject, since, unlike the other modes, the camera will shoot even if nothing is in focus.

The way that it is supposed to work is that you focus on the subject with the center focus point for 1-2 seconds and then the camera will follow that subject as it moves. In the situation below, I focused on the front goose that looked like he was about to take off. When he took off, I took a sequence of six photos, only two of which were in focus. They were the second and fifth in the sequence and they came out pretty sharp.

I may be overtaxing my ancient Canon Rebel XT by shooting in RAW, shooting bursts, and having the autofocus engaged continuously. Still, it’s fascinating to experiment with the different settings and see what works best for me.

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My challenge this weekend was to capture the delicate beauty of a wide variety of orchids and I decided that the best way to do so was to look at them closely, very closely and to use my macro lens.

I took these photos at an orchid exhibition at Lewis Ginter Botanical Gardens in Richmond, VA, about 90 minutes from where I live. The orchids were displayed in a glassed-in conservatory at varying heights in many different ways at varying heights—sometimes as single plants and sometimes in groups. It would have been amusing to make a video of my body’s contorted positions as I struggled to frame the photos and to look through the viewfinder of my camera, which was on a tripod most of the time.

In some of these images, like the first one, I tried to increase the depth of field to show more details and in other cases, like the last image, I intentionally limited the depth of field to capture one element. In some photos, I was most interested in the lines and colors.

If forced to choose a favorite, I’d probably select the first image, because of the interesting shapes, which are set off by the white petals. Do you have a preference?

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When most people think of the Vietnam Veterans Memorial, they think only of the black granite wall with all of the names, but the Three Servicemen Statue is also part of the memorial.

Frederick Hart, the sculptor of these statues, described his work in these words (according to the Vietnam Veterans Memorial Fund):

“The portrayal of the figures is consistent with history. They wear the uniform and carry the equipment of war; they are young. The contrast between the innocence of their youth and the weapons of war underscores the poignancy of their sacrifice. There is about them the physical contact and sense of unity that bespeaks the bonds of love and sacrifice that is the nature of men at war. And yet they are each alone. Their strength and their vulnerability are both evident. Their true heroism lies in these bonds of loyalty in the face of their aloneness and their vulnerability.”

I visited the memorial one evening this past weekend and took these photos of the statue. The first photo shows the torsos of the grouping (the statues themselves are full body, but I wanted to show the details of the upper bodies) and the others show the faces of each of the three soldiers.

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Here is a splash of color to start the work week—a close-up shot of the inside of a deep purple tulip called Negrita.  I photographed this flower while visiting an orchid exhibit at the Lewis Ginter Botanical Gardens in Richmond, Virginia this past weekend.

Tulip Negrita

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In an effort to chase away the dullness of another gray winter day, I traveled yesterday with some friends to Lewis Ginter Botanical Gardens in Richmond, VA to see a spectacular display of orchids.

There was an amazing variety of orchids of all sizes and color, displayed in several areas of a large indoor glass conservatory. I know very little about orchids, but my eyes were especially drawn to a variety called Lady’s Slippers that are in the sub-family Cypripedioideae. According to Wikipedia, orchids of this type are characterized by slipper-shaped pouches that traps insects so they are forced to climb up past the staminode, behind which they collect or deposit pollen, thus fertilizing the flower.

Here is a front view of a green-and-yellow Lady’s Slipper. Although the orchids were amazingly beautiful, it was often difficult to get good backgrounds for images of the flowers, because of visual clutter. I dealt with the issue by using my macro lens and concentrating on small elements of individual flowers.

My friend and photography mentor, Cindy Dyer, however, was better prepared for this by carrying along a piece of white cardboard to help isolate the flowers and simplify the background. (You should check out her blog for beautiful photos of orchids and other flowers and insects).

The second and third images, which provide a side view of the Lady’s Slipper, were taken with a few seconds of each other, one with the existing background and one using Cindy’s white cardboard. In many ways, I like the look of the white background—it reminds me a little of a botanical print, but it is definitely unnatural.

Which version of the side view do you prefer?

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Slipper Side ViewYellowGreenSlipperOrchid

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Fog, low-hanging clouds, and reflected light gave the skies of Washington D.C. an orange-colored glow last night, which made for dramatic shots of the Washington Monument.

I don’t really understand the scientific basis for the phenomenon (perhaps air pollution contributed to it), but tried to capture it with my camera. I took these shots at about nine o’clock in the evening using my tripod and a long exposure, even thought they look like they might have been shot at sunset.

A friend convinced me to go with him to Washington D.C. with the goal of getting some photographs of the Washington Monument shrouded in heavy fog, which turned out not to be the case. Instead, we got something totally unexpected that turned out to be even better than that for which we had hoped.

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Thanks to my fellow bloggers, I have become much more attuned to the little bits of color and texture that surround me when I walk through the woods. I used to look up and forward for animals and birds, but now I am also looking down for interesting mushrooms and tiny plants.

Here are some photos of one of the strangest looking things—I think it is a fungus—that I encountered recently. It looks a little like coral or something that you would see underwater, although it was growing on a downed tree. The texture and shape remind me a little of cross-sections of a human brain.

Whatever it is, I really like its color, shape, and intricate contours.fungus1_blogfungus2_blog

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