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Archive for the ‘Macro Photography’ Category

After a week in an urban setting with only a point-and-shoot, I couldn’t wait to get back to my marsh with my trusty Canon 50D in my hands. I kept my macro lens on my camera for most of the time, because the insects seemed much more active than they were only a week ago. Even flies seemed to be good subjects. I photographed this fly hand-held at really close range, which gave me a very narrow depth of field.

The first image is cropped, in order to give you a good look at the fly’s eyes—the second photo is the same image with a much less severe crop.

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© Michael Q. Powell. All rights reserved

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Some of the common species of dragonflies are around throughout much of the summer. Other dragonflies, sometimes referred to as “spring ephemeral” dragonflies,  are around for only brief periods of time in the early spring, like this male Blue Corporal dragonfly (Ladona deplanata) that I spotted last week on the boardwalk at my local marsh.

I had never seen this species before, but fortunately my fellow blogger and local dragonfly expert, Walter Sanford, was able to assist me with the identification. Check out his blog to see some awesome shots of dragonflies and other nature subjects.

I would love to be able to photograph this species the next time in a more natural environment, but I am pretty excited any time I have the chance to get a recognizable photo of a new species.

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© Michael Q. Powell. All rights reserved

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Most folks are familiar with dragonflies, but damselflies, the smaller members of the Odonata family, are equally impressive. I spotted this little beauty yesterday in the pond debris at Huntley Meadows Park, the local marshland area where I take many of my nature photographs.

I don’t know damselfly behavior very well, but noted that the very end of the damselfly’s tail is in different positions in this series of photos. In the first image, the tip is curved upward and then gradually returns to a more straight position in the final shot. Sometimes movements like this indicate that the damselfly could be laying eggs, but I haven’t been able to determine yet the gender or species of the damselfly. There seem to be a lot of different species of damselflies that are blue. (If I had to guess, I’d say that it looks like a female Eastern Forktail (Ischnura verticalis), because of the color, the forked end of the tail, and the two-tone eyes).

Although this looks like a macro shot (and the subject was really small), this is another case in which I was able to use my telephoto zoom lens to get macro-like results. Click on any of the photos to get a higher-resolution view of the damselfly and you may be surprised to see how many of the details the telephoto lens was able to capture.

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© Michael Q. Powell. All rights reserved

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Do you pass by flowers that are past their prime? Their beauty is still visible in the fragments of their former glory.

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© Michael Q. Powell. All rights reserved

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What’s your first reaction when you see a snake? I was walking through the woods at my local marsh this past weekend when I spotted a snake curled up on the leaves. My first reaction was to move closer to get a shot of the snake.

The area was relatively open, but there were lots of leaves and sticks on the forest floor, so it was not really possible to get an unobstructed shot of the snake. I took a shot anyways, fearing the snake would leave, and include it as a second image here so you can see how the snake was positioned. I noticed that the snake’s head was in an uncluttered area and a clear shot seemed possible. I changed lenses from my telephoto zoom to my macro lens, set up my tripod as low as it would go, and moved really close, until the snake’s head almost filled the frame of my viewfinder. I took some shots in natural light and some with my popup flash. The snake seemed unbothered by my actions until I inadvertently moved a small branch when adjusting my position on ground and he slithered away.

When I looked at the images on my computer, I was struck by the degree to which my reflection is visible in the snake’s eye. If you click on the first photo, you’ll get a higher resolution view that shows me taking the shot (with flash this time).

I am not sure what kind of snake this is, but it looks a bit like a Northern Black Racer snake (Coluber constrictor constrictor) as described on the webpage of the Virginia Herpetological Society. I’d welcome a confirmation or correction of my identification from anyone with more experience with snakes.

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Memories of this past winter’s unusually heavy snowfall are beginning to fade, but were revived when I saw these beautiful little Snowflakes during a recent visit to Lewis Ginter Botanical Garden in Richmond, VA.

There are two varieties of Snowflakes—the Spring Snowflake (Leucojum vernum) and the Summer Snowflake (Leucojum aestivum)—and I am not absolutely certain which variety I photographed.

I love the simple beauty of this delicate flower and am happy that I was able to isolate a couple of the blooms to showcase that beauty.

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Damselflies are beautiful, delicate insects that are often hard to see and photograph. I captured this image of my first damselfly of the year at Huntley Meadows Park this past Friday. I am not very good at identifying these tiny insects, but think this might be a Fragile Forktail (Ischnura posita).

I was standing my the edge of my favorite beaver pond when I saw the damselfly in flight. I followed it with my eyes and was delighted when it landed on a nearby stalk of grass. I didn’t have a lot of maneuver, because much of the area at the pond’s edge is covered with thorny bushes, and I had to pull back a bit to get within the minimum focusing distance of my 70-300mm telephoto lens , i.e. 4.9 feet (1.5 meters). At that range, the dragonfly filled a reasonable amount of the frame.

Lighting was a bit of a challenge and I tried a couple of different settings as the damselfly lifted its tail from time to time. Eventually, it climbed to the end of the stalk and I changed position too and tried a couple of shots (including the final shot) using my pop-up flash.

Most of the time the first shot below is my favorite, but sometimes I like the others as well or more. In any case, I am happy that I was able to get some good shots of my first damselfly of the spring.

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Within minutes of seeing the elegant honey bee that I featured in a recent posting, I encountered this Eastern carpenter bee (Xylocopa virginica), which is built more like a sumo wrestler than a dancer, especially when viewed face-to-face, as in the second image below.

 

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While visiting a garden during an event advertised as “A Million Blooms” I looked hard, but didn’t find any bees among the many tulips and other spring flowers. It was a bit ironic that I discovered this honey bee on a bush while waiting for my fellow photographers outside the gift shop of the Lewis Ginter Botanical Garden in Richmond, Virginia after seeing lots and lots of flowers.

I was hand-holding my 180mm macro lens for these shots, so I couldn’t close down the lens too far. In some of the shots, therefore, you can see that the depth of field was pretty narrow. Still, I am happy that I was able to capture some of the beautiful details of this honey bee, one of the first bees that I have observed this spring.

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Isn’t “beautiful wasp” an oxymoron? Can a wasp really be considered to be beautiful? I may be insect-deprived after a long winter and my perceptions may be skewed, but I find the wasp in these two images to be exceptionally beautiful.

The rich reddish-brown of its upper body, with a pattern that looks like some exotic wood, and the bluish-purple of its wings make for a stunning combination, and the holly leaf provides a perfect backdrop.

I took this shot during a visit Lewis Ginter Botanical Garden in Richmond, VA this past weekend, a garden that featured thousands of tulips and other spring flowers in bloom, but almost no insects. I actually was not inside the garden, but was waiting outside the gift shop for some fellow photographers when I spotted this wasp sprawled out on the leaf, as shown in the second image. The nice thing about my 180mm macro is that I didn’t have to get right on top of the insect to capture some good detail. When I moved in a little closer, the wasp slowly climbed up the leaf, as captured in the first shot, before it flew away.

It was nice to see insects start to reappear and I suspect that I will start using my macro lens more and more as we move deeper into spring and into summer.

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A few dandelions have popped up recently, but I was surprised to see one yesterday that had already gone to seed. Despite the wind that kicked up from time to time, the dandelion remained a perfect sphere.

April continues to be a mass of contradictions, with a mixture of signs of winter, spring, and even summer.

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After seeing three of my recent postings that featured unopened tulips, some readers might come to the erroneous conclusion that I don’t like the colorful flowers of blooming tulips. How could that be possible? Everyone seems to like the cheery colors of tulips.

My neighbor, and fellow photographer and blogger Cindy Dyer, has planted quite a variety of tulips in her garden and I recently took some photos of two very different species. The first is a small, delicate tulip know as the “Lady Jane” (Tulipa clusiana var. ‘Lady Jane’). I am not sure that I have every seen a more petite tulip and I really like its subtle colors.

The second tulip is big and bold and multi-colored, almost a visual equivalent of shouting. This style of tulip is known as a “broken” tulip, because of the way that the colors are broken, resulting in intricate bars, stripes, streaks, featherings, or flame-like effects of different colors on the petals. According to Wikipedia, this effect was originally produced by a tulip-breaking virus, and bulbs with this effect went for exorbitant prices in 17th century Netherlands, during a period known as “tulip mania.” Today, tulips displaying a “broken” effect are stable variants and the result of breeding, not viral infection.

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Like tiny bunches of grapes, growing out of the ground on a stalk, grape hyacinths are one of my favorite spring flowers. I moved in really close with my macro lens in the first shot to emphasize the beautiful details and the rich dominant bluish-purple color of the plant and moved back a bit for the other two shots to highlight the varied shapes and colors of the individual “grapes.”

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This final image of my mini-series on unopened tulips is my favorite—I love the simple composition, the almost monochromatic palette (with the slightest touch of pink at the tip), and the  sensual curves of the leaves.

It was almost six o’clock in the evening when I took this shot and the light was still pretty strong, but was starting to fade. I knew that I wanted to shoot some close-up shots of flowers, so I was using my 180mm macro lens. I probably should have been using my tripod for increased steadiness, especially because the lens does not have image stabilization (VR for Nikon folks), but I hadn’t brought a tripod with me.

As is often the case with my macro lens, I ended up focusing manually, trying to get as much of the tulip in focus as I could as I carefully composed the shot. The settings for this shot, for those who might be interested in such technical details, were ISO 400, f/8, and 1/50 second. The shutter speed is a bit slow, I’ll admit, but I was able to brace myself pretty well and I was trying to avoid increasing the ISO and introducing more noise.

If you haven’t seen the other images in this mini-series, Anticipation I and Anticipation II, be sure to check them out. Is there one that you like more than the others?

 

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With the cold, gray days of winter receding in my memory and the world exploding with color, I’ve taken a brief break from focusing primarily on wildlife photography and have turned my attention to capturing the beauty of flowers and blossoms.

I’ve never quite figured out how to photograph broad expanses of color, so I tend to focus more on the details of a single flower and try to isolate it from the background.  (One of my favorite bloggers, Camilla, of Calee Photography did an amazing job in capturing the beauty of tulip fields by photographing them from a small airplane. Check out her posting.)

In this case, my eyes were drawn to the not-yet-open tulip, where the color of the flower was beginning to be revealed. The composition is simple and graphic and a little abstract.

I can already sense the beauty that is to come—the anticipation makes it even more sweet.

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Anticipation, waiting for the moment when a tulip will burst open. For now, all we can see is a little tongue of color, a foretaste of the beauty that is to come.

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I am always happy to visit the garden of one of my neighbors, Cindy Dyer, a fellow photographer and blogger, at this time of the year, because there is always something new in bloom. Yesterday’s treat was this simple little purple flower. I have no idea what it is, but I love its shape and colors.

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Spring is here and I am once again chasing dragonflies, on a quest to capture images of these beautiful insects. Common Green Darners (Anax junius) rarely seem to perch, so I was forced to try to photograph them in flight.

This early in the spring, there aren’t yet a lot of dragonflies, so my patience was tested as I waited for one to fly by. I tried a lot of different approaches and the one that worked best on this day was to focus manually, which is a bit of a challenge at 300mm when the subject is moving pretty fast.

I hope I’ll get some better shots later this season—this is my best one so far.

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This red tulip may have been at its peak a few days ago when it was in full bloom, but it has retained its beauty in its current faded state.

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Spring has definitely arrived, bringing with it an abundance of snakes in addition to the profusion of flowering plants.  Most of the snakes have been all curled up, basking in the sun.  This Northern Water Snake (Nerodia sipedon), however, was slithering through the water and stuck out its tongue and hissed at me before disappearing below the surface of the water.

I really like the way the colors of the snake’s skin match those of its surroundings and even the reddish color of the forked tongue is repeated in the fallen blossom.

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© Michael Q. Powell. All rights reserved

 

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Can snakes whistle? It sure looks like this Common Ribbonsnake (Thamnophis sauritus) is trying hard to whistle as he purses his lips and seems to be blowing air in this series of shots. Who knew that snakes had lips? This snake has lips that rival those of Mick Jagger and look a bit like they were enhanced with collagen.

When you shoot subjects, how close do you get to them? My general rule for wildlife subjects is to shoot them from a distance (so I can be sure of getting a shot) and then move slowly closer and closer. I was amazed at how close this snake let me approach—this first shot was not cropped very much at all.

I like the head-and-shoulders look of the first image (taking into account the fact that snakes don’t really have shoulders), which draws attention to the snake’s eye. At times, though, I prefer the shots that show more of the snake’s body and my favorite of this group is probably the third shot. I really like the curve of the snake’s body and the tilt of its head. It’s hard to see in this reduced-size image, but two little tips of the snake’s forked tongue are visible in its partially open mouth.

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The world changed for me when I put my macro lens back on my camera, simultaneous becoming smaller and bigger. Instead of looking in the distance for birds, I switched my focus to the world immediately in from of me, searching for tiny objects that I can photograph.

In vain I long for colorful butterflies and dragonflies, but it is too early in the spring for them to appear. As soon as a fly buzzed by me, I was seized with an irresistible urge to capture its image. It’s only a fly (a Green Bottle Fly, I think), but it is symbolic of the joys to come, the time when I will spend endless hours chasing after insects, trying to capture the detailed beauty of their colors and patterns.

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The late afternoon sunlight shining through this crocus from behind illuminated it like a natural stained glass window. I love the beauty of simple things.

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Yesterday afternoon, my dear friend and fellow photographer Cindy Dyer called to alert me that there were some crocuses blooming in her garden. The lighting was wonderful and the dirt in the background provides a simple backdrop for the gorgeous colors of this little spring flower.

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Sometimes you don’t have to travel far to get good nature photos. I noticed this colorful little jumping spider on my car yesterday when I was loading my camera gear, getting ready to go out shooting. spider4_car_blog

It was a fun challenge trying to get shots of the spider as it moved to various parts of the trim surrounding the windshield, many of which were reflective. I wasn’t sure how long the spider would hang around, so I didn’t set up my tripod and I think it would have been pretty awkward to do so.

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I am hoping that nobody snapped pictures of me as I sprawled my body across the hood of the car, trying to find a way to brace my body and get a decent shooting position. My Tamron 180mm macro lens lets me get in close, but it does not have image stabilization.

spider3_car_blogOne of the first things that I noticed when I reviewed my images was that my car is dirty. In this area, they use a lot of salt on the roads when it snows and I suspect that those little white spots are salt residue. I thought about removing them in post-processing, but decided that I like the more urban, gritty feel that they give the images (and besides, it would have been a lot of work to get rid of all of them).

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I am always thrilled when I find a jumping spider. There is something special about all of those eyes that simply fascinates me and I am particularly happy when I manage to get reflections in the eyes.

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Now that it is spring, I have started carrying around my macro lens, which I was able to use to get this really close-up shot today of an Eastern Garter snake (Thamnophis sirtalis) at Huntley Meadows Park, my favorite local spot for nature photography. The snake was curled up in a mossy area and seemed to be a little sluggish. Consequently, he did not slither away when I got down low and moved in close to take this photo.

CORRECTION: Fellow photographer and blogger Walter Sanford, who is much more of an expert in snakes than I am, has identified this snake as a Common Ribbonsnake (Thamnophis sauritus sauritus), not an Eastern Garter snake.

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I was a little surprised yesterday when a small spider crossed my path when I was walking on the boardwalk at my local marsh. Sure, temperatures had warmed up and it was over 50 degrees outside (10 degrees C), but I didn’t think there were any spiders around at this time of the year. This is definitely my first spider of 2014.

Expecting to photograph birds, not bugs (yes, I know a spider technically is an arachnid, not a bug), I had equipped my camera with a telephoto lens, not a macro lens, and wasn’t even carrying my macro lens. The spider was moving too, so I used what I had and shot these photos at 300mm and cropped them.

You can probably tell that the boardwalk at the marsh is made of a synthetic material and not real wood, which means that I am not at risk of getting splinters when I kneel on it as I often do.  This spider, whose species I cannot identify, was pretty small. The visible head of a screw used to hold in place the planks of boardwalk help to give you an idea of the relative size of the spider.  Eagle-eyed readers may notice that the third photo is the same image as the first one, but cropped less severely.

In a few short months, I hope to see (and photograph) a whole lot more spiders in even greater detail, but the first one of the year is always special.

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Although it has started to get a bit warmer, lots of snow remain, snow that has lost its initial pristine beauty and is now flecked with brown road dirt and various chemicals. I feel a need for color, so I am posting some shots I took last month of a tropical plant in the greenhouse at my local county-run garden.

One of the challenges in shooting in this small space was the often cluttered background. I tried to frame these shots in such a way that background is not too distracting. I have no idea what kind of a plant this is, but that doesn’t bother me, for it is the color, texture, and shape of the plant that I find most interesting.

It won’t be long before I’ll see bursts of color like this outdoors—I can hardly wait.

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This past weekend, I was filled with an inexplicable urge to take some flower photos. With the exception of some clumps of snowdrops, nothing was blooming outdoors, so I slipped into the small glass-enclosed greenhouse at my local county-run garden to capture images of some of the tropical flowers there.

I was alone with the plants for an extended period of time and was able to set up my tripod and use my macro lens, which has been gathering dust the last few months. My eyes have grown accustomed to looking for birds in the distance and it was an interesting challenge to get them to focus on the smaller details of stationary objects.

I am not sure of the names of the flowers that I photographed (with the exception of the second one, which is a kind of Lady’s Slipper orchid), but my senses were satisfied temporarily with the sight and smells of these beautiful flowers.

I can’t wait for spring, when I’ll have the chance to to see more flowers (and the accompanying insects) outdoors.

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It’s a little too early for most flowers to be blooming, although I did find flowering snowdrops yesterday at Green Spring Gardens, a local county-run historic garden. I like the way that the white of the flower shines in the shadows, a reminder that the brightness of spring will eventually come.

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What’s the coolest thing that could happen to you as a photographer? All of us would like greater exposure and I was thrilled on Monday when I learned that my dear friend and photography mentor Cindy Dyer had five of her fern photos issued as stamps by the US Postal Service. They are being issued in coils of 3,000 and 10,000 stamps with a total printing of 95 million stamps. Wow! That’s broad exposure.

Check out her blog to see some of her amazing photos. Her teaching, support, and inspiration have played (and continue to play) a huge role in my evolution and development as a photographer.

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Yesterday, after more than a year in the making, my series of USPS-licensed fern photographs were released as 49 cent stamps in large coil format for business use. Special thanks to art director Phil Jordan for being so great to work with on the series! I’ll be back with more details on how we can POSSIBLY get a smaller amount than the issued 3,000 and 10,000 quantity rolls!

Read more about the stamps here: http://uspsstamps.com/stamps/ferns

Order a first-day-of-issue set within 60 days here:

http://about.usps.com/postal-bulletin/2014/pb22381/html/info_013.htm

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