Do you ever feel a desire to step outside of your comfort zone in your photography, to capture some images in a completely different way, to return to the basics of our craft? For the last month, I have felt an irresistible urge to shoot some black and white film, something that I haven’t done in over thirty years.
When I told some folks at work that I was planning to shoot some film during a week of vacation, one of them responded by asking if I was making a movie. I patiently explained that I would be putting some black and white film into a non-digital camera. He stared back at me with a look of incredulity and asked if I couldn’t simply convert some of my digital images into black and white.
I still have some analog cameras, but most of them have some electronic assists—I wanted a truly mechanical camera. I found a Nikon F SLR with a 50mm f/1.4 lens on my local Craigslist. The Nikon F introduced in 1959, was Nikon’s first SLR, although this particular camera was produced in 1971, judging from its serial number. The camera is so basic that it requires no battery. When was the last time you took photos with a camera without a battery? The camera has no meter and I ended up using my DSLR as the meter.
What about film? I went to one of the last remaining camera stores in our area and bought a couple of rolls of Ilford HP5+ film, a black and white film with a “box speed” of ISO 400. I ended up shooting it at ISO 200, because it was very sunny and bright the day that I went shooting. (Using the “sunny 16” guidelines, I would have been shooting all day at 1/500 sec and f/16.)
What should I shoot? I decided that an urban environment would be more suitable for my film project than my normal wildlife environment, so I got on the metro and headed into Washington D.C. with my Nikon SLR and my Canon DSLR in tow.
I got off on the elevated outdoor metro platform at Reagan National Airport and my first shot was of the airport’s control tower. I wanted to try to find subjects with shapes and lines that would show up in black and white. (I am including some digital shots of the same subjects at the end of the post. I didn’t try to exactly match the shots, but they give you an idea of the differences in how the cameras rendered the subjects.)
The next shot was of the Metro’s ceiling at the underground station in Rosslyn, Virginia. (You may have already seen a similar shot that I took with my digital camera and posted last week.)
I exited the Metro in Rosslyn and walked across the Key Bridge into Georgetown. From the bridge, I took this shot of part of the waterfront in Georgetown. I like the old time feel of this shot.
One of the first things that you see when you cross the bridge is Dixie Liquors, an old-fashioned liquor store with a really cool sign that I have always liked.
That was the start of my adventure with film. As I had hoped, I was looking at the world with different eyes and was forced to slow down, knowing I had to input manually the shutter speed and aperture and very conscious of the fact that I had no auto focus to help me. I was also shooting with a fixed focal length lens, so I did not have the luxury of zooming in and out. Most of all, though, I was filled with uncertainty, not knowing for sure if any of my shots would come out, worrying that my old camera might have a light leak or that I would mess up the development of the film.
I’ll continue my saga in another posting or two in the upcoming weeks. As promised, here are some digital shots that I took as I used my Canon DSLR as a meter for my manual Nikon.
© Michael Q. Powell. All rights reserved.
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Mike Powell 