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Archive for the ‘cross stitch’ Category

It’s hard to believe that a new year has already started. Where did 2025 go? I had to really pay attention when I wrote the date on my first check of 2026 this morning—yes, I still write a few paper checks each month, though I am moving increasingly to paying most of my bills on line.

For a variety of reasons, I kind of backed off from photography a bit this past year. According to the stats portion of WordPress, I published 196 posts in 2025 for a total of over 34 thousand words. That may seem like a lot, but over the lifetime of this blog, I’ve probably averaged about 400 postings a year, with a high of 653 posts with a total of just under 100 thousand words in 2014. In case you are a stats nerd, my lifetime totals since my start in 2012 are 5502 postings with a total of 581988 views.

Strangely enough, the number of views in 2025 was an all-time high of over 89 thousand. Why? I think that the addition of an AI summary to Google searches may have brought forward a number of my posts to a broader audience and a sharp increase in the number of viewers from China (over 12 thousand views in 2025) may reflect the activity of bots or some other web tools.

I haven’t given up on wildlife photography, but during the second half of 2025 I averaged going out with my camera only about once a week. In late December I captured this image of a Cedar Waxwing bird (Bombycilla cedrorum) that was most hidden in the shadows. I was thrilled to be able to capture the distinctive crest of this really cool bird.

During this past year I have rediscovered my love of counted cross stitch and have devoted a substantial amount of my “extra” time to stitching. It’s a strange mix of hobbies to have one that is active and outdoors and another that is mostly sedentary. The second photo shows a recently completed project called Festive Cardinal, designed  by Max Pigeon of Pigeon Coop Designs. I showed this project a while back when it was almost completed, but thought it would be fun to show it again in its finished form, because it shows the way that my photography interests and cross stitch interests overlap in terms of subject matter.

So what will 2026 hold for me? I really don’t do new year’s resolutions and am not much for planning—I came across a joke yesterday that new year’s resolutions are things that go in one year and out the other. Sorry. I’m hoping that I’ll achieve a better balance between these two primary hobbies, but I may go off on tangents with watercolor painting, knitting, or even sewing—maybe I’ll finally learn to use the sewing machine that a friend gave to me. I guess that the one thing that ties all of these interests together is a sense of wonder and curiosity and a desire to tap into a sense of creativity that was mostly suppressed during my working career.

Best wishes for a happy and healthy new year. Technically I am also wishing those of you who celebrate Christmas a Merry Christmas, because today is only the ninth day of Christmas (on which the well-known song indicates that my true love gave me nine ladies dancing).

Cedar Waxwing

Festive Cardinal

© Michael Q. Powell. All rights reserved.

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I realize that not everyone celebrates Christmas, but I wish the best for all of you during this holiday season.  In the midst of all of the hype and activity surrounding this overly commercialized day, I hope that you can rediscover its simple message of joy and hope.

On Christmas Day, I can’t help but think of the final verse of “I Heard the Bells on Christmas Day,” which reaffirms that hope: “Then pealed the bells more loud and deep. God is not dead nor doth he sleep. The wrong shall fail, the right prevail, with peace on earth, good will to men.”

The first photo below shows my almost completed cross stitch project Festive Cardinal designed by Max Pigeon of Pigeon Coop Designs. The second photo shows the inside of my church, St. Martin de Porres Episcopal Church, during the afternoon of Christmas Eve, when we were practicing the music for the evening service. I tear up a little remembering the congregation in the darkened sanctuary singing Silent Night by candlelight at the Christmas Eve service last night—it is always one of the highlights of Christmas for me.

Merry Christmas to all of you.

Festive Cardinal

Christmas Eve

© Michael Q. Powell. All rights reserved.

 

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During the last few months I have been cross stitching a lot, spending time that in previous years I might have spent in the wild with my camera. The hot, humid weather is one factor that has kept me indoors, but I have also rediscovered my love for counted cross stitch. I haven’t yet figured out how I will frame or otherwise finish these pieces, but I thought I would show you some of the autumn-themed ones that I have finished stitching.

The first one is from a pattern that appeared in the Halloween 2025 edition of Just Cross Stitch magazine. It is called Tiny Pumpkins and was designed by Sara Louise Greer of Wickham Cottage. In the past I really enjoyed stitching on black fabric and decided to give it a try again. My eyes are older and require more light than when I was young, but the project turned out pretty well.

The second piece also appeared in the Halloween 2025 edition of Just Cross Stitch magazine. It is called Hallows’ Eve Sampler and was designed by Tracy Richards of Wrought Iron Stitching. I love the vintage autumn vibe of this piece that the designer was able to achieve using only four colors.

The final two pieces were designed by TheCozyDH, a Canadian independent cross stitcher, designer, and content creator on You Tube and Twitch. They have an Etsy shop where you can purchase downloadable cross stitch patterns that are “a lil cute, a lil cozy, a lil spooky” and also a Ko-fi shop, which tends to have lower prices because the platform has lower fees than Etsy.

The two skeleton guys, known as the Bobs, are described by the designer as follows:  “Once there were two large skeleton brothers, separated by season and preference of caffeinated beverage. Now, in this tiny adorable form, the brothers are together again. Tiny Cozy Bob sips his Pumpkin Spice Latte while Tiny Sweaty Bob enjoys a chill boba milk tea.”

I suspect that in the coming months I will continue to balance my wildlife photography with my cross stitching. Two two hobbies allow me to express myself creatively in different ways.

Tiny Pumpkins

Hallows' Eve Sampler

Cozy Bob

Sweaty Bob

© Michael Q. Powell. All rights reserved.

 

 

 

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What do you do to cope with the heat at this time of the year? I stay indoors a bit more in my air conditioned house and decided this week to work on a cool little cross stitch pattern. Yesterday I finished the pattern, which is available as a free download from Silver Creek Samplers. (https://www.silvercreeksamplers.com/dog-days)
Although my ears are not quite as long as those of the dog in this image, I confess that I have been spending a lot of time in front of a fan as we cope with a heat wave that has enveloped much of the United States this past week.
As I noted in a blog posting earlier this month, I returned this year to cross stitching, which I did a lot during the 1980s and 1990s, after a break of about 20 years. I am working on a bigger project, but sometimes it is fun to knock out little projects like this one that make me smile.
dog days of summer
© Michael Q. Powell. All rights reserved.

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This year I have rediscovered the joy of cross stitching. In the 1980s and 1990s I completed a considerable amount of cross stitch projects and have many of them hanging on my walls. I was originally introduced to the craft in about 1983 by a young lady friend who was always working on some stitching. I expressed a slight interest in what she was doing and the next thing I know she gifted me with some fabric, floss, patterns, and material. I quickly became hooked.

Over time, though, my life became busy and for almost two decades I stopped stitching. Two ladies at my church work at a wonderful local needlework shop called In Stitches Needlework that I first visited during the pandemic at their invitation. I bought a few new patterns, but did not really start getting back to stitching until earlier this year when I began to attend a twice monthly stitching session at the store. Stitchers of all skill levels sit around and work on individual projects and talk about a wide variety of topics—it is a wonderful community of people who provide me with lots of inspiration and encouragement.

The first photo shows my progress on my current big project, a pattern by Ink Circles called Reflections of Paris. This monochromatic piece includes a number of familiar Paris landmarks. I am about a third of the way through it right now (and already gone through two entire skeins of DMC floss). As you can probably tell, the motifs are repeated four times from the center, which is the square shown near the bottom of the image. As you look down the right and left edges, for example, you can start to see emerging portions of the same shapes that are visible along the top edge. I will be working on this patterns, which calls for 6944 stitches, for quite a while, but I find it to be really relaxing, so I look forward to doing a little stitching each day, if possible.

The second image shows a piece called Country Welcome that I stitched this spring. It was a pattern from the August 1990 issue of Leisure Arts, The Magazine. I used to subscribe to a number of different cross stitch magazines and have held on to the old issues. I tend to like cross stitch patterns that have a minimal color palette.

The final image shows another project that I completed this spring called “Do Everything in Love.” It was a free, but copyrighted, pattern by Silver Creek Samplers that I picked up at my local cross stitch store while checking out one day.

I realize that this posting is quite a change from my normal wildlife photos, but I thought it would be fun to share this other side of me with you all. On some of the days this summer when the weather and humidity make it tough to venture out with my camera, I know I can curl and stitch away in the comfort of my air-conditioned house.

Reflections of Paris

Country Welcome

Do Everything in Love

© Michael Q. Powell. All rights reserved.

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