In my area, Great Blue Herons stay with us all winter, but Great Egrets (Ardea alba) are present only during the warm months. It is therefore a treat to spot one of these elegant white birds that always remind of ballet dancers.
I visited Jackson Miles Abbott Wetland Refuge on Wednesday to search for dragonflies at a small pond there. As is often the case at this time of the year, I had my trusty 180mm macro lens on my camera, a lens that has proven to be quite suitable for the dragonflies, damselflies, and butterflies that I expected to encounter.
A passerby alerted me to the presence of a “white heron” in a large adjacent wetland area, so I decided to check it out. This area is totally inaccessible on foot and is viewable only from a small observation deck. When I reached the deck and climbed one of the benches, I was able to spot the egret in the distance in an area full of water lilies and other aquatic vegetation.
My lens was not long enough for me to get a close-up shot of the egret, so I concentrated on composing the environmental portrait that is the first image below. I like the way the brilliant white color of the egret allows it to stand out despite the clutter of all of that vegetation. I took the second shot when the egret began to walk and was able to capture the extended neck of an egret in motion. The egrets reflection in the water was a nice bonus.
These two images help to remind me of the value of taking photos with whatever camera gear I happen to have in my hands, no matter how modest or ill-suited to the subject it may seem. My friends sometimes ask me what kind of cameras they should buy and my usual response is that they should get one that they will use. Shoot with what you have and don’t worry about it—you may surprise and delight yourself at how well you are able to capture the moment.
© Michael Q. Powell. All rights reserved.
Nice Mike! Always fun to photograph Great Egrets!
They certainly are elegant 😃
Nice captures, Mike!
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Thanks, Mitzy.
Love the symmetry of the second shot and the “negative” space of the first shot. Like you said the white draws your eyes from the background of vegetation. Great compositions, Mike.
Thanks. I usually depend on the details of my subject to draw in the viewer’s eye, but in cases like this, I had to give greater thought to composition, especially when it came to cropping the image. I really like your descriptions of what you liked about the compositions–they help me view my shots from a slightly different, but complementary perspective.