Mike Powell

When it comes to photography, how do you balance its creative and technical components, how do you mix art and science? In the uncontrolled natural environment in which I take my photographs, I often have to be content with merely capturing an image, any image, of my subject before it disappears.

Sometimes, though, I can make minor adjustments on the fly that have a major impact on the final shot. Last week I was at Occoquan Regional Park, observing dragonflies as they zigged and zagged over the surface of the water. Most of them were common, readily identifiable species. Suddenly I spotted one that was different. I suspected, and later confirmed, that it was a female Unicorn Clubtail (Arigomphus villosipes) and knew that it was pretty rare to spot the female of this species.

The dragonfly began to dip the tip of her abdomen down in the water to deposit eggs and I sprung into action. She was not far from the shore and I snapped off a few shots looking down at her. Those images simply did not have any impact. Instinctively I dropped to my knees, which brought me closer to my subject. More importantly, it gave me a new perspective. I was closer to being at eye level with my subject and I was able to capture a more interesting background with the ripples in the water created by her actions.

This image, for me, is close to being an optimal mix of the technical and creative components of photography. It was challenging to shoot and simultaneously allowed me to express myself artistically. It is my response to the occasional naysayers who assert that photography is merely about capturing reality.

© Michael Q. Powell. All rights reserved.